NOVEDADES

In this unprecedented new book, writer Zoë Lescaze and artist Walton Ford present the astonishing history of paleoart from 1830 to 1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy. The collection provides an in-depth look at this neglected niche of art history and shows how the artists charged with imagining extinct creatures often projected their own aesthetic whims onto prehistory, rendering the primordial past with dashes of Romanticism, Impressionism, Japonisme, Fauvism, and Art Nouveau, among other influences.

Farca looks to the work of the late design icon Luis Barragán for inspiration, blending tradition with modernity. He focuses on the importance of collaborating with indigenous artisans who work in age-old Mexican crafts, to create environmentally sustainable, indoor/outdoor spaces and furniture with a palette of natural materials, translated through a contemporary luxury lens. This lavish volume features sixteen of his newly built private residences in Mexico and California that show off his spectacular designs for seamless indoor and outdoor living.

A thorough exploration of Salvatore Ferragamo’s life and work: an inescapable opportunity to analyze the importance of his creativity and entrepreneurial instinct. One hundred years have passed since Salvatore Ferragamo opened his first store, the Hollywood Boot Shop, opposite the recently built Grauman’s Egyptian Theater in Hollywood. This set the seal on the success he achieved in America, where he had emigrated in 1915. He was perfectly integrated in the film world of those years, as important directors entrusted him with the design and creation of shoes for the film stars. His customers were movie actresses and actors, producers, and directors, who could no longer do without the elegant and comfortable footwear of the “shoemaker to the stars,” as the young man from Irpinia was nicknamed. Furthermore, his persona had a certain standing in Hollywood: he sat on the city’s executive committees and lived on the same street as Charlie Chaplin. On May 4, 1923, Holly Leaves magazine pointed out just how much Ferragamo was doing for the city and its residents.

From charming bungalows to sleek minimalist houses and apartments to restorations of iconic Mediterranean Revival residences to a garden dotted with oversized insect sculptures, the homes showcased in Palm Beach Living are as distinctive as they are representative of the ever-evolving design trends on the nation’s most exclusive barrier island. Some of the homes incorporate the exuberant colors of the island’s flora; others opt for a soothing, more neutral palette to contrast with the surrounding landscape. All embrace indoor-outdoor living, and each reflects the unique aesthetic of the owner. Guided by native Palm Beacher Jennifer Ash Rudick, with photographs by Nick Mele, “a modern-day Slim Aarons,” readers are granted an intimate look at the best in tropical living. This gorgeous coffee table book highlights the work of renowned architects—from the legendary Maurice Fatio and John Volk to Daniel Kahan, Fairfax & Sammons, Jeffrey W. Smith, and David Fox & Chris Stone—superb landscape designers, including Mario Nievera, Jorge Sánchez, and Fernando Wong, and such world-class interior designers as Tom Scheerer, Amanda Lindroth, Mark D. Sikes, Jonathan Adler, Frank de Biasi, Mimi McMakin, the late Carleton Varney, and Kim Coleman.

Slim Aarons: Style showcases the photographs that both recorded and influenced the luminaries of the fashion world. This collectible volume features luscious early black-and-white fashion photography, as well as color portraits of the fashionable elite—like Jacqueline de Ribes, C.Z. Guest, Nan Kempner, and Marisa Berenson—and those that designed the clothes, such as Oscar de la Renta, Emilio Pucci, Mary McFadden, and Lilly Pulitzer. ​Featuring a number of never-before-seen images and detailed captions written by fashion historians, Slim Aarons: Style is a collection of the photographer’s most stylish work. Slim Aarons, at least according to the man himself, did not photograph fashion: “I didn’t do fashion. I did the people in their clothes that became the fashion.” But despite what he claimed, Aarons’s work is indelibly tied to fashion. Aarons’s incredibly influential photographs of high society and socialites being unambiguously themselves are still a source of inspiration for modern day style icons. This coffee table book is perfect for sharing, displaying, and gifting.