NOVEDADES

A land immortalized by poets for its otherworldly beauty, Greece is the birthplace of iconic monuments that are known the world over. Yet, at the same time, it is also home to an organic architectural language, the product of centuries of rural and island lifestyles—the heir both to the timelessness of classical architecture and the simplicity of rustic living. This stunning volume chronicles Miguel Flores-Vianna’s photographic odyssey through the beautiful Greek landscape, showcasing historical houses alongside contemporary homes, united by the colorful characters who either live or have lived in these places—the “haute bohemians.” From the sophisticated residences of collectors and painters to island hideaways, centuries-old tavernas, royal follies, breathtaking gardens, and even a restored sailboat, Haute Bohemians: Greece transports Flores-Vianna’s armchair travel companions to a wondrous world, bathed in the glow of an ethereal light.

Island Dreaming features 20 recent projects from Amanda LIndroth, each more enticing than the next. Lindroth brings her signature style of boldly colored fabrics, rattan and cane seating, canopied beds, and straw matting to homes ranging from cozy cottages to grand houses in Lyford Cay, on Nassau; Albany, on the island of New Providence in the Bahamas; Baker’s Bay, on the island of Great Guana Cay in the Abacos; Manhattan; and Palm Beach, Florida. Though Lindroth’s style remains unmistakably hers, it’s now perceptibly richer, more sophisticated, and, at times, more whimsical. Illustrated by the lushly detailed photographs of Dylan Chandler, and featuring lovely illustrations by Carlisle Burch, Island Dreaming will be coveted by everyone who can’t get enough of Lindroth’s easy-breezy tropical vibe. Since the publication of Island Hopping in 2018, the demand for Amanda LIndroth has soared, and it is her latest commissions that fill this new volume.

Throughout history, tabletop decoration has been at the nexus of utilitarian function and innovative design. In At the Artisan’s Table, designers and event producers Jane Schulak and David Stark pair historical table wares from the world’s finest design museums with pieces by an international array of contemporary artisans who reinterpret traditional crafts and styles, including Aptware (marbled clay), blue-and-white Delft, chinoiserie, faux bois, plaster, splatterware, and trompe l’oeil. Each chapter features a museum object that serves as a muse; the work and studio of the artist who has updated the traditional craft; and gorgeous table settings designed by Schulak and Stark that incorporate the artist’s handmade wares and provide inspiration for everyone who has ever wished to wow their dinner guests.

A new tower stands out against the city skyline: the Unipol Tower designed by Mario Cucinella Architects, an internationally renowned architecture studio based in Milan and Bologna. The Unipol Tower is a 124-meter elliptical tower in the Porta Nuova area, in the heart of the city. Made from glass and steel, it has a glasshouse on the rooftop serving as a cultural venue. Commissioned by Unipol, the leading Italian insurance company, the tower looks beyond the corporate identity and headquarters of Unipol and has been acclaimed as one of the most advanced architecture projects ever created.

Where does craftsmanship end and art begin? What makes something a product, a brand impervious to time and fashions? These are the questions posed while strolling between the past and the present of Baglietto, the Italian shipyard that has been building world-class yachts for 170 years. Success is not built in an instant. Being good, looking to the future, imposing a style that lasts over time is the gamble every entrepreneur takes. There are not many who succeed, which is why those who reach the age of 170 deserve to be studied, as well as celebrated. Baglietto is now a kind of great international club, access to which serves the right mix of passion for the sea, refined taste for boats that is never over-the-top but rather soberly chic, and, of course, the right spending capacity for objects that cost.