NOVEDADES

1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination. But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart. Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. She does not know this yet. But she will.

At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night. Cracked open, Jin finds herself telling Lidija about an old familial curse, breaking a lifelong promise. She’s been told that if she doesn’t keep the curse a secret, she risks losing everything; death and ruin could lie ahead. As Jin and Lidija become more entangled, they realize they share more than the ferocity of their ambition, and begin to explore hidden desires. Something is ignited in Jin: her art, her body, and her sense of self irrevocably changed. But can she avoid the specter of the curse? Vital, bold, powerful, and deeply moving, Exhibit asks: how brightly can you burn before you light your life on fire?

Jasmyn and King Williams move their family to the planned Black utopia of Liberty, California hoping to find a community of like-minded people, a place where their growing family can thrive. King settles in at once, embracing the Liberty ethos, including the luxe wellness center at the top of the hill, which proves to be the heart of the community. But Jasmyn struggles to find her place. She expected to find liberals and social justice activists striving for racial equality, but Liberty residents seem more focused on booking spa treatments and ignoring the world’s troubles. Jasmyn’s only friends in the community are equally perplexed and frustrated by most residents' outlook. Then Jasmyn discovers a terrible secret about Liberty and its founders. Frustration turns to dread as their loved ones start embracing the Liberty way of life. Will the truth destroy her world in ways she never could have imagined? Thrilling with insightful social commentary, One of Our Kind explores the ways in which freedom is complicated by the presumptions we make about ourselves and each other.

In an alternate Edinburgh of 1824, every woman lives in fear that she will be the next one hanged for witchcraft. All it takes is invoking the anger, or the desire, of the wrong person. Nellie Duncan, beautiful and unwed, keeps to herself until she encounters the Rae Women’s Apothecary. There, fiery Jean Rae and the other women provide cures and teach others that they too can aid the winter deity, the Cailleach, embracing her characteristic independence, agency, and craft, in turn becoming witches themselves. Nellie finds a place and a purpose at the shop, and a blossoming romance with Jean, as she learns about nature-based craft and a witch’s ability to return to life after death. But the Cailleach has an ancient enemy intent on stripping the power of the deity and all her witches, leaving a wake of patriarchal violence and destruction. When heart-breaking disaster strikes, Nellie flees and spends the next two centuries hiding from the world—until love gives her the courage and the motivation to come back. Nellie’s past is waiting for her there, and hanging witches is no longer the only means of oppression. But this time, Nellie refuses to run—either from her foes, or from her resolve to awaken others to the unimaginable power that can come with fighting the patriarchy in its many forms—and finding one’s own magical inner-strength.

“Were we gangsters? No. But did we know how to start a fire?” In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety. But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.