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Imagen de POR AQUI SE VA A BELEN
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POR AQUI SE VA A BELEN

En el 2000 escribí —¡Cuánta gente se habrá cruzado con José, María y Jesús sin saber lo cerca que les caminaba la Navidad! Para mí sería una dicha si después de leer estos cuentos los lectores se sintieran llamados a leer con devoción el verdadero anuncio navideño en los Evangelios. Ojalá que esta pequeña colección de [40 cuentos, ahora en el 2025] y las sugerencias navideñas ayuden a sus lectores a celebrar la Navidad de Jesús con mayor profundidad y alegría, juntos a sus familias y
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Imagen de LOGO BEGINNINGS. LOGO MOD. (45TH) (INT)
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LOGO BEGINNINGS. LOGO MOD. (45TH) (INT)

By the late 19th century, trademarks began to replace traditional emblems, like coats of arms, as identifying symbols for companies. At first, logos tended to be figurative, but over time they morphed into the abstract marks that we see everywhere today. Yet many iconic brands—like Rolex, BMW, Louis Vuitton, and the New York Yankees—still use logos designed 100 years ago. Bringing together two previous volumes—Logo Beginnings and Logo Modernism—into one compendium, design expert Jens Müller (dubbed “the logo detective” by Wired magazine) has trawled historical trademark archives and design publications to unearth 1000s of logos from as far back as 1870, including many forgotten designs and early versions of today’s brand identifiers.
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Imagen de J.C. VOLKAMER. THE BOOK OF CITRUS FRUITS
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J.C. VOLKAMER. THE BOOK OF CITRUS FRUITS

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644–1720) did―commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions.
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Imagen de MODERN TREE HOUSES (JU) (GB)
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MODERN TREE HOUSES (JU) (GB)

Above the forest floor, a world of wonder awaits. Tree houses have always captured our imaginations—symbols of escapism, endless youthful summers, and a deep-rooted connection to nature. But today, they’ve evolved beyond childhood hideaways into architectural marvels that blend sustainability and cutting-edge design. So, climb up and explore 62 elaborate tree houses from around the world, each with its own fascinating story. With no single blueprint, they take many forms—some are anchored within towering branches, others mimic the shapes of trees, some shelter in the foliage without touching a trunk. But all have the same goal: to bring us closer to nature.
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Imagen de UNA NOCHE DE VINO
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UNA NOCHE DE VINO

Ya conoces mi esencia en tu aliento, piel encendida. “En cada copa de vino se deshace una memoria. Bajo la tibia luz de las velas entendió que algunas historias no se escriben con tinta, sino con labios manchados y miradas que tiemblan...”
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