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Imagen de DE LA ADICCION A LA RESTAURACON EN 90 D.
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DE LA ADICCION A LA RESTAURACON EN 90 D.

Hablar sobre las adicciones se ha convertido en un estigma social, se nos ha hecho creer que adicto es aquel que está tirado en una cuneta, sucio y harapiento, pero la realidad es que cada día más personas caen presas de esta terrible enfermedad espiritual, física y emocional que nos roba la paz y el propósito. Este es un hermoso recorrido de noventa días que te invita a reconocer que es aquello que te hace entrar en obsesión y compulsión y te aparta de la vida de plenitud que te ofrece Dios, dispón tu corazón a recibirlo y Dios hará. En este devocional encontrarás temas como: La negación La Ingobernabilidad Admisión Esperanza La Naturaleza Pecaminosa La Rendición y muchos otros temas que acapararán tu atención.
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Imagen de THE WHITE BOOK
1,350

THE WHITE BOOK

While on a writer’s residency, a nameless narrator focuses on the color white to creatively channel her inner pain. Through lyrical, interconnected stories, she grapples with the tragedy that has haunted her family, attempting to make sense of her older sister’s death using the color white. From trying to imagine her mother’s first time producing breast milk to watching the snow fall and meditating on the impermanence of life, she weaves a poignant, heartfelt story of the omnipresence of grief and the ways we perceive the world around us.
1,350
Imagen de WUTHERING HEIGHTS
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WUTHERING HEIGHTS

There are few more convincing, less sentimental accounts of passionate love than Wuthering Heights. This is the story of the savage, tormented foundling Heathcliff, who falls wildly in love with Catherine Earnshaw, the daughter of his benefactor, and of the violence and misery that result from their thwarted longing for each other.
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Imagen de WHAT TIME THE SEXTON'S SPADE DOTH RUST
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WHAT TIME THE SEXTON'S SPADE DOTH RUST

Flavia de Luce has taken on the mentorship of her odious moon-faced cousin Undine, who has come to live at Buckshaw following the death of her mother. Undine’s main talent, aside from cultivating disgusting habits, seems to be raising Flavia’s hackles, although in her best moments she shows potential for trespassing, trickery, and other assorted mayhem. When Major Greyleigh, a local recluse and former hangman, is found dead after a breakfast of poisonous mushrooms, suspicion falls on the de Luce family’s longtime cook, Mrs. Mullet. After all, wasn’t it she who’d picked the mushrooms, cooked the omelet, and served it to Greyleigh moments before his death? “I have to admit,” says Flavia, an expert in the chemical nature of poisons, “that I’d been praying to God for a jolly good old-fashioned mushroom poisoning. Not that I wanted anyone to die, but why give a girl a gift such as mine without giving her the opportunity to use it?”
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Imagen de TELL ME EVERYTHING
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TELL ME EVERYTHING

With her remarkable insight into the human condition and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”
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