NOVEDADES

In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long held beliefs are overturned. In “The Patron Saints of Middle Age,” a woman visits two friends she hasn’t seen since her divorce. In “A for Alone,” a married artist embarks on a creative project intended to disprove the so-called Mike Pence Rule, which suggests that women and men can’t spend time alone together without lusting after each other. And in “Lost but Not Forgotten,” Sittenfeld gives readers of her novel Prep a window into the world of her beloved character Lee Fiora, decades later, when Lee attends an alumni reunion at her boarding school. Hilarious, thought-provoking, and full of tenderness for her characters, Sittenfeld’s stories peel back layer after layer of our inner lives, keeping us riveted to the page with her utterly distinctive voice.

Whether it’s anxiety about going to the doctor, boiling rage when we’re stuck in traffic, or devastation after a painful break-up, our lives are filled with situations that send us spiraling. But as difficult as our emotions can be, they are also a superpower. Far from being “good” or “bad,” emotions are information. When they’re activated in the right ways and at the right time, they function like an immune system, alerting us to our surroundings, telling us how to react to a situation, and helping us make the right choices.

Jack Reacher lives for the moment. Without a home. Without commitment. And with a burning desire to right wrongs—and rewrite his own agonizing past. DEA Susan Duffy is living for the future, knowing that she has made a terrible mistake by putting one of her own female agents into a death trap within a heavily guarded Maine mansion. Staging a brilliant ruse, Reacher hurtles into the dark heart of a vast criminal enterprise. Trying to rescue an agent whose time is running out, Reacher enters a crime lord’s waterfront fortress. There he will find a world of secrecy and violence—and confront some unfinished business from his own past.

Seven years ago, Maeve Abenthy lost everything: her world, her father, even her name. Desperate to escape the stain of her father’s crimes, she lives under a fake name, never staying in one place long enough to put down roots. Then she receives a mysterious letter with four impossible words: Your father was innocent. To uncover the truth, she poses as an apprentice for the Otherwhere Post, where she’ll be trained in the art of scriptomancy—the dangerous magic that allows couriers to enchant letters and deliver them to other worlds. But looking into her father’s past draws more attention than she’d planned. Her secretive, infuriatingly handsome mentor knows she’s lying about her identity, and time is running out to convince him to trust her. Worse, she begins to receive threatening letters, warning her to drop her investigation—or else. For Maeve to unravel the mystery of what happened seven years ago, she may have to forfeit her life.

A powerful and fierce reimagining of the founding of the Roman empire and the legend of Romulus and Remus—and the mother whose sacrifice made it all possible.

With super-sized conflict within the team and colossal menaces without, Stan Lee and Don Heck made AVENGERS a nail-biting, edge-of-your-seat extravaganza! The classic stories collected in this volume include battles against Kang the Conqueror, Doctor Doom, Power Man, the Enchantress and the Atlantean warlord Attuma! And while the action will keep your pulse up, twists like the departure of Captain America will deliver drama at its deepest level. Plus: Thrill to the return of Giant-Man and the Wasp - and Hank Pym's transformation into Goliath! With first appearances of the Collector, the Swordsman and the Sons of the Serpent - not to mention the Black Widow's entrance into the Avengers' world - there's no questioning that this volume is a Marvel Masterworks! Collecting AVENGERS (1963)