Monet’s Venice paintings are high points in his lifelong engagement with the interplay of water and light. Monet and Venice—anchored by two masterworks from the collections of Brooklyn and San Francisco, The Doge’s Palace and The Grand Canal, Venice—will be the first exhibition and English-language publication dedicated to this significant suite of paintings since their Parisian debut at the Bernheim-Jeune gallery in 1912.
Monet keenly felt the burden of influence in a city that had so often been depicted and had long been an icon of waning, fragile beauty. Venice was—and is—a place where culture and nature are profoundly and uniquely entangled. Monet’s images of Venice’s buildings and canals dissolved in colorful mist and hazy light may be seen as meditations on human aesthetic interaction with a natural environment built upon for centuries.
Momo Arashima is half goddess and half human—torn between two worlds. But with her friends Danny, Ryleigh, Jin and Niko by her side, she’s finally starting to find a place where she belongs. Too bad none of that matters when Izanami, the treacherous goddess of death, threatens the life of someone Momo loves and forces her into a terrible bargain.
Estamos ante un libro que verdaderamente, y no como se suele decir con tantas obras, encierra un mundo; un cuerpo de catorce caras que señala y resume algunos de los instantes decisivos de la Historia universal, ordenados cronológicamente y narrados de forma magistral.