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Imagen de SHADOW TICKET
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SHADOW TICKET

Milwaukee 1932, the Great Depression going full blast, repeal of Prohibition just around the corner, Al Capone in the federal pen, the private investigation business shifting from labor-management relations to the more domestic kind. Hicks McTaggart, a onetime strikebreaker turned private eye, thinks he’s found job security until he gets sent out on what should be a routine case, locating and bringing back the heiress of a Wisconsin cheese fortune who’s taken a mind to go wandering. Before he knows it, he’s been shanghaied onto a transoceanic liner, ending up eventually in Hungary where there’s no shoreline, a language from some other planet, and enough pastry to see any cop well into retirement—and of course no sign of the runaway heiress he’s supposed to be chasing. By the time Hicks catches up with her he will find himself also entangled with Nazis, Soviet agents, British counterspies, swing musicians, practitioners of the paranormal, outlaw motorcyclists, and the troubles that come with each of them, none of which Hicks is qualified, forget about being paid, to deal with. Surrounded by history he has no grasp on and can’t see his way around in or out of, the only bright side for Hicks is it’s the dawn of the Big Band Era and as it happens he’s a pretty good dancer. Whether this will be enough to allow him somehow to Lindy-hop his way back again to Milwaukee and the normal world, which may no longer exist, is another question.
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Imagen de GUIA DESDE EL ACTOR HACIA EL PERSONAJE
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GUIA DESDE EL ACTOR HACIA EL PERSONAJE

¿Cómo se convierte un actor en un personaje que respira, siente y transforma? Esta guía no ofrece fórmulas mágicas ni atajos vacíos. Ofrece experiencia viva. Con más de 30 años de experiencia en el oficio, la autora comparte herramientas, errores, aciertos y verdades que todo actor—joven o veterano—necesita escuchar. Desde el actor hacia el personaje es una invitación sincera a mirar el arte de actuar con profundidad, entrega y honestidad. Desde la preparación del cuerpo, el casting, el trabajo de investigación hasta el marketing del actor, esta guía recorre cada etapa con claridad, humanidad y visión práctica. No importa en qué etapa de tu carrera estés. Aquí encontrarás una mano aliada, un espejo y, quizás, un impulso para redescubrir por qué decidiste actuar.
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Imagen de TOM S CROSSING
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TOM S CROSSING

While folks still like to focus on the crimes that shocked the small city of Orvop, Utah, back in the fall of 1982, not to mention the trials that followed, far more remember the adventure that took place beyond municipal lines. For sure no one expected the dead to rise, but they did. No one expected the mountain to fall either, but it did. No one expected an act of courage so great, and likewise so appalling, that it still staggers the heart and mind of anyone who knows anything about the Katanogos massif, to say nothing of Pillars Meadow. As one Orvop high school teacher described that extraordinary feat just days before she died, Fer sure no one expected Kalin March to look Old Porch in the eye and tell him: You get what you deserve when you ride with cowards.
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Imagen de THE LONELINESS OF SONIA AND SUNNY
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THE LONELINESS OF SONIA AND SUNNY

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that served only to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India. She fears that she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world.
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Imagen de I, MEDUSA
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I, MEDUSA

Meddy has spent her whole life as a footnote in someone else's story. Out of place next to her beautiful, immortal sisters, she dreams of leaving her family's island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as a priestess in her temple, Meddy leaps at the chance to see the world beyond her home. Flourishing in her role as Athena's favoured acolyte, all it takes is one fateful night to irrevocably alter the course of Meddy's promising future forever. With her locs transformed into snakes as punishment for a crime she did not commit, Meddy must embrace a new identity - not as a victim, but as a vigilante - and with it, the chance to write her own story as mortal, martyr and myth.
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Imagen de NUEVA GRAMATICA DE LA LENGUA ESPAÑOLA
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NUEVA GRAMATICA DE LA LENGUA ESPAÑOLA

La Nueva gramática de la lengua española fue concebida desde el principio como la primera gramática académica panhispánica y planteada como una obra —a la vez descriptiva y normativa— de alcance y profundidad mayor que las gramáticas académicas previas. Esta edición cuenta con más detalles en la presentación de los contenidos, mayores aclaraciones en su exposición, en su análisis y en la distribución geográfica o social de los fenómenos descritos y más explicaciones didácticas. Además, sigue ahora a cada capítulo una bibliografía complementaria para que los lectores puedan ampliar los contenidos presentados. El volumen de Fonética y fonología se complementa con códigos QR donde podremos informarnos sobre la situación actual de la lengua española, la evolución del español a través del espacio y el tiempo, y los sonidos y voces de nuestra lengua.
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