ARQUITECTURA Y DISEÑO

The mid-19th and early 20th centuries heralded new means of transport and equipment and, with them, new and original ways of exploring the world. Transatlantic liners, automobiles, long-haul airplanes, zeppelins, and express trains unfurled new horizons and changed travel itself into an adventure. Distant lands were no longer solely accessible to aristocrats, explorers, and adventurers. Instead, the world opened up to new groups of people eager to circumvent the globe. And for many of these new globetrotters, traveling was synonymous with Louis Vuitton, the French label whose iconic and functional luggage trunks could be found on nearly every boat, plane, car, and train around the world. In this beautiful book, author Francisca Mattéoli recounts 50 tales of thrilling travel undertaken in every possible mode of transit, from the hot air balloon to the space shuttle, each lavishly illustrated with more than 300 historical photographs and ephemera from Louis Vuitton’s official archives. Louis Vuitton: Extraordinary Voyages is a journey all its own—an evocative and transporting account of the most surprising and transformative trips taken since the 19th century.

From the mighty halls of ancient Alexandria to the coffered ceilings of the Morgan Library in New York, human beings have had a long, enraptured relationship with libraries. Like no other concept and like no other space, the collection of knowledge, learning, and imagination offers a sense of infinite possibility. It’s the unrivaled realm of discovery, where every faded manuscript or mighty clothbound tome might reveal a provocative new idea, a far-flung fantasy, an ancient belief, a religious conviction, or a whole new way of being in the world.In this new photographic journey, Massimo Listri travels to some of the oldest and finest libraries to reveal their architectural, historical, and imaginative wonder. Through great wooden doors, up spiraling staircases, and along exquisite, shelf-lined corridors, he leads us through outstanding private, public, educational, and monastic libraries, dating as far back as 766. Between them, these medieval, classical, baroque, rococo, and 19th-century institutions hold some of the most precious records of human thought and deed, inscribed and printed in manuscripts, volumes, papyrus scrolls, and incunabula. In each, Listri’s poised images capture the library’s unique atmosphere, as much as their most prized holdings and design details.Featured libraries include the papal collections of the Vatican Apostolic Library and the Trinity College Library, home to the Book of Kells and Book of Durrow. With meticulous descriptions accompanying each featured library, we learn not only of the libraries’ astonishing holdings—from which highlights are illustrated—but also of their often lively, turbulent, or controversial pasts. Like the Franciscan monastery in Lima, Peru, with its horde of archival Inquisition documents.At once a bibliophile beauty pageant, an ode to knowledge, and an evocation of the particular magic of print, Massimo Listri. The World’s Most Beautiful Libraries is above all a cultural-historical pilgrimage to the heart of our halls of learning, to the stories they tell, as much as those they gather in printed matter along polished shelves.

El Manual de dibujo arquitectónico es el libro que dio fama internacional a Francis D. K. Ching y sus conocidos métodos de dibujo. Esta nueva edición, la cuarta desde que se publicara por primera vez en español en 1976, amplía y complementa la edición anterior incorporando nuevas ilustraciones y nuevos contenidos que hacen referencia al dibujo con herramientas digitales. Se mantiene, sin embargo, el magnífico planteamiento del original que catapultó a la fama a Ching y convirtió este libro en el manual de dibujo arquitectónico por excelencia. Organizado en diez capítulos, el libro expone las herramientas, directrices y técnicas tradicionales de la expresión gráfica en arquitectura así como las claves de la representación visual mediante recursos digitales. El estudiante de arquitectura y diseño encontrará en estas páginas desde los procedimientos básicos para dibujar plantas, secciones y alzados, o los sistemas de representación más frecuentes (el diédrico, la axonometría y la perspectiva), hasta los métodos y convenciones para representar materiales o texturas de suelo, dibujar sombras y valores tonales, o incorporar elementos contextuales como figuras humanas, coches, árboles o mobiliario. En definitiva, un clásico del dibujo técnico arquitectónico que recoge de forma sistemática las técnicas y convenciones que todo arquitecto debe conocer para representar gráficamente ideas y soluciones arquitectónicas.

Schestowitz is a strong believer that a home should create a sense of belonging and togetherness. Growing up, she developed an appreciation for harmonizing diverse styles, placing a modern stainless steel island by an old dining area, an African dresser next to an Eames chair. Schestowitz is not a follower of design guidelines; she believes in an intuitive harmony of space, color, and light. The spaces she creates are infused with travel collectibles, art acquisitions, family pieces, and historical patterns. The rich palettes and bold patterns create spaces that feel naturally inviting and intimate, a result of her long-standing exploration of Mediterranean style.

One of the most original and respected talents in design, Smith is revered for his impeccable taste and style. Informed by a deep understanding of design history and the art world, Smith’s work is the ultimate in elegance and luxury, reflecting an uncommon sense of scale and drama and a deft use of craftsmanship and materials. His interiors have earned him enduring accolades throughout the industry, as well as a devoted following of notable clients, from Hollywood mega talents such as Shonda Rhimes to former President Barack Obama and First Lady Michelle Obama.

Célebre por su lema «menos es más», Ludwig Mies van der Rohe (1886-1969)fue uno de los padres fundadores de la arquitectura moderna y una figura influyente y polémica de la estética y la experiencia urbana del siglo XX. La filosofía de Mies van der Rohe consistía en fundamentar la verdad en las formas puras y las proporciones. Mediante avances tecnológicos y materiales contemporáneos, quiso vestir la arquitectura de una pureza elemental, ejemplificada por el Seagram Building y la Farnsworth House. Hubo quien denunció este planteamiento austero como el precursor de paisajes urbanos planos y genéricos. Otros citan a Mies van der Rohe como el maestro por excelencia de una esencia perdurablemente elegante. Con más de 20 de los proyectos que creó entre 1906 y 1967, este libro presenta el carácter vanguardista de la arquitectura de Mies van der Roge y su influencia en Estados Unidos y Europa.