ARTES

La mayoría de los manuales de guion son, en palabras del autor de este libro, «como los gritos constantes que el entrenador le pega aljugador infantil, y que más que situarlo mejor ante el desafío quetiene delante, lo llenan de inseguridad. No digo que sean maloslibros. Ni mucho menos. Algunos son textos formidables (?). Entonces,¿cuál es el problema? Que no hablan del proceso». Esos manualesacostumbran a dar mucha información y consejos para alcanzar un buenresultado, pero se olvidan de mostrar cómo se ha llegado hasta ahí:los errores que se convierten en aciertos y los aciertos que acabansiendo errores; los diálogos que cierran posibilidades, los que abrendemasiado el campo, los que definen bien a un personaje, pero plantean dudas sobre si podrían ser mejores?-Te quiero -No me jodas explica cómo se crean diálogos, pero no puedecrear guionistas.

The Book of Miracles first surfaced several ago and is one of the most spectacular discoveries in the field of Renaissance art. The near-complete illustrated manuscript, created in Augsburg around 1550, is composed of 169 pages of large-format illustrations in gouache and watercolor, depicting wondrous and often eerie phenomena. The mesmerizing images deal with both biblical and folkloric tales, depicting stories from the Old Testament and Book of Revelation as well as events that took place in the immediate present of the manuscript’s author. From shooting stars to swarms of locusts, terrifying monsters to fatal floods, page after page hypnotizes with visions alternately dreadful, spectacular, and even apocalyptic.

In this celebration of style, from the moment she entered the public eye during her husband’s U.S. Senate campaign through her time as the first Black First Lady and today as one of this country’s most influential figures, Michelle Obama shares how she uses the beauty and intrigue of fashion to draw attention to her message. Featuring the voices of Meredith Koop, Obama’s trusted stylist, as well as her makeup artist Carl Ray, hairstylists Yene Damtew, Johnny Wright, and Njeri Radway, and many of the designers who have dressed Obama for notable events, The Look brings readers behind the scenes not only to reveal how her most memorable looks came together but also to tell a powerful story about how we present ourselves. Obama’s intimate and candid stories illuminate how her approach to dressing has evolved throughout her life—from the colorful sheath dresses, cardigans, and brooches she wore during her time as First Lady to the bold suits, denim, and braids of her post-White House life and all the active looks and beautiful gowns in between.

This panoramic collection showcases stadiums, venues, and pitches, from the quirky to the historic, covering both men’s and women’s leagues, professional to amateur, wherever the game is played with enthusiasm and great style. For those who love the sport, either from birthright or from newly kindled passion, there’s a distinct and beloved resonance and local character to each stadium. This is one of soccer’s great charms, and this book is a road map to a pilgrimage to 1000 arenas that anyone in love with the beautiful game would want to visit in person: some visionary and new, some ageing but iconic, some remote yet picturesque, some tumbledown, quirky yet historical and utterly lovable—but all with such genuine personality, the fans’ hearts beat a little faster to see a match there.

Georgia O’Keeffe and Frank Lloyd Wright were neither competitors nor direct collaborators. Yet these romantic heroes of twentieth-century art and architecture largely operated in parallel. In this seminal book, Rovang weaves together their compelling life stories, examining newly discovered links between them and, in the process, offering a fresh perspective on their work, their intermittent yet poignant friendship, and their closeness to the desert.  Starting in 1933, O’Keeffe and Wright exchanged roughly two dozen letters in which they expressed admiration for one another but also their passion for the places that informed them—many of which they had in common. Both were born in rural Wisconsin and built their careers in Chicago and New York. However, both sought inspiration and fulfillment in places farther afield, including in Japan and the desert landscape of the American Southwest. Juxtaposing images highlighting shared aspects of their individual biographies and work, this unique take on American creative expression explores the nature of artistic friendship and the idea of “home.” Rovang’s text gives rich context to the allure and romance of her visual subject, offering readers new ways to appreciate O’Keeffe’s and Wright’s monumental contributions to American culture.