BELLAS ARTES

A major monograph of the American realist artist, descendant of one of America’s most revered artistic families, and painter of dark and uneasy subjects. This book traces a persistent vein of intriguing, often disconcerting, imagery over the career of renowned artist Jamie Wyeth (b. 1946), famous for his hyperrealist paintings of farm animals and Maine lighthouses. The focus in this volume is on the chilling thread that runs through his work, present but not overwhelming, and ever-evolving with his style and subjects. Whether he is introducing curious characters or surveying strange landscapes, Wyeth is at home with uneasy subjects and a master of the unsettled mood

“Tú ya eres famosa, el que se va a hacer famoso ahora soy yo”, le dijo el fotógrafo Lawrence Schiller mientras hablaban de las fotografías que estaba a punto de hacerle. “No seas tan arrogante”, le respondió burlona Marilyn. “Sustituir a un fotógrafo es fácil”. Esto ocurrió en 1962, y Schiller, que por entonces tenía 25 años, cumplía un encargo para Paris Match. Conocía ya a Marilyn (ambos habían trabado amistad dos años antes, cuando se conocieron durante el rodaje de El multimillonario), pero esto no le sirvió de nada el día en que ella accedió a posar desnuda ante su cámara durante la escena de la piscina en Something’s Got to Give.

The popular American fashion designer takes us on an exhilarating journey with today’s biggest stars wearing his statement-making designs on the world’s most exciting red carpets. This highly anticipated sequel to Dresses to Dream About (2017), delves into Siriano’s continued evolution as a visionary, from his groundbreaking fashion that celebrate diversity, inclusion, and body positivity to the meticulous craftsmanship behind each creation. This inspiring tome explores the intersection of fashion, art, and celebrity culture, offering a front-row seat to the dazzling spectacle of Siriano’s bold designs worn by glamorous actors, top models, pop culture legends, LGBTQIA+ icons, and first ladies.

Over the past decade, celebrated style maker Suzanne Rheinstein has achieved an unprecedented level of refinement and clarity. Her love of objects from the past remains a touchstone, but in her newest rooms, stylish modernity and an elegant simplicity hold sway. Presented are beautifully photographed homes of clients Suzanne Rheinstein has worked with before that reflect a vision of richness tempered by restraint. Her longtime fans will find new inspiration in these pages. Throughout, she shares her ideas of how to live in a relaxed way surrounded by artworks and personal collections. A traditional Georgian library is done in a totally untraditional lacquered green, while a San Francisco town house revamp includes a “California” room filled with Moroccan rugs and rattan chairs, and a serene retreat has a guesthouse evocative of the bohemian 1970s.

The world’s most important contemporary designers showcase their work within the historic setting of Chatsworth House to shine light and spark conversation on the intriguing juxtaposition of the old and the new, the past and the future, and the evolution of design histories and practices. Chatsworth is an extraordinary environment to experience design: a repository for great works of fine and decorative art commissioned by generations of the Cavendish family for over four centuries. Expanding on the eponymous 2023 exhibition at Chatsworth, Mirror Mirror features the works of sixteen contemporary artists through captivating in-situ photography with accompanying artist biographies and essays that unearth how historic artifacts and environments inform and inspire modern artists' practices today. This diverse group of artists includes Michael Anastassiades, Ini Archibong, Wendell Castle, Andile Dyalvane, Ndidi Ekubia, Najla El Zein, Formafantasma, Joris Laarman, Max Lamb, Fernando Laposse, Jae Sae Jung Oh, Samuel Ross, Chris Schanck, Ettore Sottsass, Faye Toogood, and Joseph Walsh. From lithe, LED lighting structures illuminating the halls of the Chatsworth library to a seating sculpture hand-carved in Iranian travertine in the grand estate’s formal Rose Garden, these modern works create unexpected and timeless connections with the house’s architecture, interiors, furniture, and ceramics.