BELLAS ARTES

Workstead designs one-of-a-kind interiors and pieces that balance beauty with necessity, and this book presents a special blend of their tour-de-force historic renovations and innovative yet elegant new constructions. Over the past decade, the multidisciplinary design firm has earned rapid and wide acclaim for both their residential interiors as well as for larger-scale projects, such as the Wythe Hotel in Brooklyn and the Rivertown Lodge in Hudson, New York. In all their projects, Workstead considers both clients and community, working with local artisans to create meticulously crafted modern interiors, architecture, and furniture designs inflected by history. As T: The New York Times Style Magazine put it, Workstead “are known as sophisticated pack rats who surround themselves with objects that have a story to tell,” and described their collective design philosophy as “a cozy, updated version of early Americana, with wood plank floors and a mix of vintage and refined custom-built furniture pieces that are almost Scandinavian in their restraint.”

Julia Morgan was truly a pioneer of her time—among other accomplishments, she was the first woman architect to be licensed in California, in 1904. Through her remarkable life and legacy, this book celebrates the Beaux-Arts architecture of California. Focusing on Morgan’s most famous project in the state, Hearst Castle, to which she devoted more than 30 years of her life, this volume also examines, for the first time, Morgan’s fabulous early buildings in the style. Morgan designed more than 700 buildings across California, many of which are designated landmarks today. Deepening the reader’s understanding of California archi-tecture, this book also places into context Morgan’s ambitions, her influences and inspirations, as well as her daily practice and challenges as a woman shaping an extraordinarily prolific and highly successful career in a man’s world. To better understand the Beaux-Arts training Morgan underwent in Paris, the reader is taken through the challenging, highly arduous Ecole des Beaux-Arts curriculum, which Morgan completed, a lone woman among men. Also explored, in detail, is the story of how the studio and kilns of California Faience, a Berkeley ceramic artisan’s shop, became the supplier of tens of thousands of tiles designed by Morgan and overseen by Hearst himself to decorate their architectural master-piece overlooking the Pacific Ocean.

Cotton presents rooms that mix historical and modern influences, resulting in luxuriously sleek interiors for casual, yet sophisticated, living. The glam-orous spaces—many designed for art-world clients, including Cindy Sherman and Lisa Yuskavage—are anchored in tradition but reflect the relaxed sensibili-ties of our time. Cotton shares his multiscaled approach to design—successful turns with his varied collections, which are often included in his interior projects. Furniture, lighting, wallpaper, tableware, and terra-cotta planters are part of his repertoire. Cotton’s industrial designs—like his interiors—embody an intelligence and under-standing of design history. This book, the designer’s first, documents the groundbreaking work of a rising and notable talent and should be in the libraries of designers and connoisseurs of fine living.

The 20th century saw fashion evolve from an exclusive Parisian salon business catering for the wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has even left the catwalk. Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worth crinolines gave way to Vionnet's bias-cut gowns, Dior's New Look to Quant's Chelsea Look, Halston's white suit to Frankie B.'s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the game. 20th-Century Fashion offers a retrospective of the last hundred years of style via 400 fashion advertisements from the Jim Heimann Collection. The images trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated timeline detail the style-makers and trendsetters, and how historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed-then and now.

Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452–1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realization. From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of inquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat, and light to the building of a flying machine. In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome. This book brings together some of Leonardo’s most outstanding work to introduce a figure of infinite curiosity, feverish imagination, and sublime artistic ability, often described as having “not enough worlds for to conquer, and not enough lives for to live” (Alan Woods).