Monet’s Venice paintings are high points in his lifelong engagement with the interplay of water and light. Monet and Venice—anchored by two masterworks from the collections of Brooklyn and San Francisco, The Doge’s Palace and The Grand Canal, Venice—will be the first exhibition and English-language publication dedicated to this significant suite of paintings since their Parisian debut at the Bernheim-Jeune gallery in 1912.
Monet keenly felt the burden of influence in a city that had so often been depicted and had long been an icon of waning, fragile beauty. Venice was—and is—a place where culture and nature are profoundly and uniquely entangled. Monet’s images of Venice’s buildings and canals dissolved in colorful mist and hazy light may be seen as meditations on human aesthetic interaction with a natural environment built upon for centuries.
During the pivotal years between the world wars, Surrealist artists on both sides of the Atlantic responded through their works to the rise of Hitler and the spread of Fascism in Europe, resulting in a period of surprising brilliance and fertility. Monstrosities in the real world bred monsters in paintings and sculpture, on film, and in the pages of journals and artists' books. Despite the political and personal turmoil brought on by the Spanish Civil War and World War II, avant-garde artists in Europe and those who sought refuge in the United States pushed themselves to create some of the most potent and striking images of the Surrealist movement. Trailblazing essays by four experts in the field trace the experimental and international extent of Surrealist art during these years--and, perhaps most unexpectedly of all, its irrepressible beauty.
Miedo, pero fascinación; espanto, pero atracción. Nuestra relación con los monstruos es dual y contradictoria desde el inicio de los tiempos y precisamente por eso tantos artistas decidieron plasmar sus peores pesadillas y las causas de tanto horror en innumerables obras. Algunas de las más emblemáticas y oscuras están dentro de este libro. Pasar las páginas de este libro es un acto de valor, aunque todos sabemos lo seductor que puede ser el peligro.
Basado en cientos de entrevistas con los propios directores, pero también con productores, estrellas, agentes, guionistas, ejecutivos de los estudios, esposas y ex esposas, el libro de Peter Biskind narra día a día la epopeya de los jóvenes lobos de Hollywood, la génesis de sus películas y sus luchas contra el establishment.
Moteros tranquilos, toros salvajes es la espléndida crónica de ese viaje alucinante que fue Hollywood en los años setenta, la historia apasionante y verídica de la última gran edad de oro del cine americano, una exaltada celebración de la creatividad y la experimentación, pero también del sexo, las drogas y el rock and roll.
This volume celebrates the 10th anniversary of Museo Jumex, Mexico City’s most important contemporary art museum, and its unique collection.
Located in the vibrant Polanco neighborhood of Mexico City, Museo Jumex opened its doors to the public in 2013 as a one-of-a-kind museum devoted to the production and discussion of contemporary art.
Founded by Eugenio López Alonso, a pioneer in the realm of contemporary art collecting in Mexico, and designed by Sir David Chipperfield, 2023 winner of the Pritzker Architecture award, Museo Jumex has achieved international recognition for its dual mission of bringing works of renowned international artists to Mexico for the first time and elevating the work of today’s Mexican and Latin American artists.