From the building of the Brooklyn Bridge to immigrants arriving at Ellis Island, the slums of the Lower East Side to magnificent art deco skyscrapers, New York’s remarkable rise, reinvention, and growth is not just the tale of a city, but the story of a nation. This beautiful book lays out the streets, sidewalks, culture, and crowds of the greatest city in the world—in all the greatness of its extremes, contradictions, energy, and attitude. With vistas of Central Park alongside Coney Island and the sleaze of Times Square, this city portrait champions the complexity and chaos of New York—its architecture, culture, fashion, and ethnic diversity. More than just a tribute to the metropolis and its civic, social, and photographic heritage, New York. Portrait of a City also pays homage to the indomitable spirit of those who call themselves New Yorkers: full of hope and strength, resolute in their determination to succeed among its glass and granite towers.
Focusing on the profound effect that art, craft, and color can play in any interior, this book presents Hollis’s masterful new residential projects, in which the curation of art, objects, and custom furnishings are key to the character of the spaces.
La ópera 'no es una reliquia del pasado'; es un mundo vivo en el que se reflejan los cambios culturales y sociales. Así lo demuestra Tomás Marco en esta ambiciosa cartografía mundial del genero que recorre el último siglo y cuarto, aproximadamente, de su historia. De Puccini, Strauss y Janác?ek hasta Pedro Halffter, Michel van der Aa, Toshio Hosokawa o Rachel Peters, pasando por Schönberg, Britten o Stockhausen, a lo largo de estas páginas asistimos, fascinados, a la disolución de su forma decimonónica hasta sus mutaciones más experimentales. No se había escrito antes una obra de esta envergadura sobre la ópera de nuestros días. 'Durante el siglo XX, todo, sometido a una presión tremenda, saltó por los aires. Fue una lucha sin cuartel. Había que encontrar nuevos caminos que permitieran la supervivencia del genero. Se siguieron viejas fórmulas, se crearon otras nuevas, algunos creyeron que la ópera estaba muerta, que ya no servía, y se negaron a componer obras líricas; otros -la mayoría- aceptaron el reto y consiguieron en algunos casos resultados formidables.
Rafe and Heide discovered their true home in a late 1800s New England farmhouse after a decade of living in Brooklyn, New York. The historic property, Ellsworth, is a showplace for their shared aesthetic and sensibility of designing for real life, and not for formality. At the core is a house of pared-down traditionalism with references to Shaker tranquility, Arts & Crafts practicality, and bohemian chic. Whimsical wallcoverings, striking colors, a mix of contemporary furniture and antiques, exciting works of art, and comfort abound—turning a workaday house from the nineteenth century into a creative laboratory of the twenty-first.