BELLAS ARTES

Rafe and Heide discovered their true home in a late 1800s New England farmhouse after a decade of living in Brooklyn, New York. The historic property, Ellsworth, is a showplace for their shared aesthetic and sensibility of designing for real life, and not for formality. At the core is a house of pared-down traditionalism with references to Shaker tranquility, Arts & Crafts practicality, and bohemian chic. Whimsical wallcoverings, striking colors, a mix of contemporary furniture and antiques, exciting works of art, and comfort abound—turning a workaday house from the nineteenth century into a creative laboratory of the twenty-first.

From charming bungalows to sleek minimalist houses and apartments to restorations of iconic Mediterranean Revival residences to a garden dotted with oversized insect sculptures, the homes showcased in Palm Beach Living are as distinctive as they are representative of the ever-evolving design trends on the nation’s most exclusive barrier island. Some of the homes incorporate the exuberant colors of the island’s flora; others opt for a soothing, more neutral palette to contrast with the surrounding landscape. All embrace indoor-outdoor living, and each reflects the unique aesthetic of the owner. Guided by native Palm Beacher Jennifer Ash Rudick, with photographs by Nick Mele, “a modern-day Slim Aarons,” readers are granted an intimate look at the best in tropical living. This gorgeous coffee table book highlights the work of renowned architects—from the legendary Maurice Fatio and John Volk to Daniel Kahan, Fairfax & Sammons, Jeffrey W. Smith, and David Fox & Chris Stone—superb landscape designers, including Mario Nievera, Jorge Sánchez, and Fernando Wong, and such world-class interior designers as Tom Scheerer, Amanda Lindroth, Mark D. Sikes, Jonathan Adler, Frank de Biasi, Mimi McMakin, the late Carleton Varney, and Kim Coleman.

No Hollywood red carpet is ever without an A-list celebrity wearing one of Pamella Roland’s signature megawatt dresses that never fail to catch the light of a camera. Since the American fashion designer’s debut eveningwear couture collection at New York Fashion Week in 2002, Roland has been a perennial favorite for women and celebrities alike who aren’t afraid of being in the spotlight. Each page of this dazzling debut book features the opulent, sophisticated, and undeniably feminine cocktail dresses, evening gowns, and luxurious women’s resort wear that have made Roland a mainstay in the closets of everyone from Hollywood starlets to customers outside the fashion centers of New York and Los Angeles. Colorful, eye-catching photographs reveal Roland’s design process and creation of her gowns, including sketches, inspirational reference material, snapshots of memorable runway and red-carpet moments, and the debut of her new fragrance. Featured in the book are many of Roland’s devoted friends and clients including Vanessa Williams, Paris Hilton, Mindy Kaling, Kim Cattrall, Debra Messing, Chrissy Teigen, Gigi Hadid, Halle Berry, Rosie Perez, and Eva Longoria, among others. A tribute to the bedazzled, embroidered, and glitzy dresses worn by Hollywood elite, New York socialites, and women across the globe—this volume is a beautiful addition to the libraries of fashion, design, and style lovers.

El primer resumen completo de las magníficas colecciones de alta costura de Yves Saint Laurent, desde la inauguración en 1962 hasta su retirada en 2002, presentado a través de las fotografías originales de las pasarelas. Como homenaje al legendario diseñador, este libro es el registro de cuarenta años de creaciones icónicas de la alta costura, desde el radical «Le Smoking» (el primer traje de esmoquin para mujeres) de 1966 hasta las deslumbrantes creaciones inspiradas en el arte: vestidos «Mondrian», preciosos bordados «Van Gogh», capas «cubistas» y la famosa colección Ballets Russes, por nombrar algunos. * Incluye una introducción y una descripción sobre el perfil del diseñador a cargo de Suzy Menkes, así como los textos de las colecciones del Musée Yves Saint Laurent París. Un libro que ofrece una oportunidad única de mostrar las creaciones del diseñador que revolucionó el guardarropa de la mujer moderna. Con más de 1000 imágenes, este tesoro de inspiración es una referencia obligada para todos los profesionales de la moda y los seguidores de Yves Saint Laurent.

Los vestigios de Abjasia, un país que no existe, una fábrica abandonada transformada en decorados para Hollywood, la Línea Verde de Chipre, la ciudad fantasma que dejó la catástrofe de Chernóbil, un cine modernista en Bruselas, insólitas fortificaciones del siglo XVIII en Italia, la ciudad de Tskaltubo y sus “aguas de la inmortalidad”, una de las termas más antiguas de Rumanía… Roman Robroek es un fotógrafo del sur de los Países Bajos fascinado por la arquitectura urbana. Sus espectaculares fotografías de lugares olvidados en el mundo entero han ganado múltiples premios. ¿Cuál es la historia de estos edificios? ¿Quiénes vivían en ellos? ¿Para qué servían esos objetos y por qué los abandonaron? Su insaciable curiosidad por estos temas le llevó a ser fotógrafo urbano. Patrimonio abandonado es el resultado de diez años explorando lugares fantasmales en busca de respuestas.

Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896–1958) was an alchemist of desire. Color was integral to his aesthetic allure, embracing the complex tri-color-carbro process to create a seductive surface of texture and tone. His quest was for “artificial paradises”―a perfection of form, with a surreal edge. This concise monograph introduces Outerbridge’s unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York’s highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge’s innovative style through Cubist still life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge’s particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of color photographs.