Georgia O’Keeffe and Frank Lloyd Wright were neither competitors nor direct collaborators. Yet these romantic heroes of twentieth-century art and architecture largely operated in parallel. In this seminal book, Rovang weaves together their compelling life stories, examining newly discovered links between them and, in the process, offering a fresh perspective on their work, their intermittent yet poignant friendship, and their closeness to the desert.
Starting in 1933, O’Keeffe and Wright exchanged roughly two dozen letters in which they expressed admiration for one another but also their passion for the places that informed them—many of which they had in common. Both were born in rural Wisconsin and built their careers in Chicago and New York. However, both sought inspiration and fulfillment in places farther afield, including in Japan and the desert landscape of the American Southwest. Juxtaposing images highlighting shared aspects of their individual biographies and work, this unique take on American creative expression explores the nature of artistic friendship and the idea of “home.” Rovang’s text gives rich context to the allure and romance of her visual subject, offering readers new ways to appreciate O’Keeffe’s and Wright’s monumental contributions to American culture.
The first book to feature the interior design of the stylish, award-winning firm RRP / Rees Roberts + Partners, led by Interior Design–hall of fame inductee Lucien Rees-Roberts.
As Pilar Viladas writes in her introduction, “Rees-Roberts does not have a signature style. Instead, the interiors designed by his New York firm … have style, period, and lots of it.”
Well-known for his subtle use of color, texture, and fabric, Rees-Roberts’s designs capture the essence of modern living. Descended from generations of painters, his love for art is an important source for his inspiration and indelibly marks the work. Functionally elegant designs are characterized by a deference to art as well as to light and the views provided by natural surroundings. Each designed home reflects the owner’s character as well as the needs of everyday life, incorporating custom furniture and unusual antiques. The book, bound in sumptuous cloth and wrapped in a jacket with French folds, reflects the firm’s ever-present attention to detail.
Cine y humor de la mano del podcast cultural con la comunidad más sólida de España.
El primer libro de Todopoderosos.
Todos tenemos películas supuestamente malas que no podemos dejar de ver una y otra vez. Cintas denostadas por público y crítica que, por diversos motivos, se nos han quedado pegadas, se han ganado un lugar en nuestro corazón.
Armados de argumentos, referencias y sentido del humor, Juan Gómez- Jurado, Rodrigo Cortés, Javier Cansado y Arturo González-Campos defienden en este libro este tipo de películas. A través de joyas desconocidas, placeres culpables, obras nostálgicas y bodrios divertidísimos, nos invitan a reconectar con el cine más allá de puntuaciones y tendencias efímeras para vivirlo como lo que es: una experiencia intelectual pero, sobre todo, emocional.
Architect Adams has long had a passion for design. His appreciation for how things are made had its genesis in his childhood experiences on a farm in Asheville, North Carolina. As a boy, Adams always had a pencil in hand, sketching for hours. Today, it is his understanding of craft and response to place that sets him apart.
Informed by Adams’s deep knowledge of historic precedents, proportions, and details, the homes featured in this book are imbued with soul, whether it’s a charming house in the woods on the lake, a refined contemporary beachside retreat, or a traditional manor house in town. While the homes featured range in scale and style— Tudor, Arts and Crafts, French country, Southern farmhouse—Adams imbues each with natural materials such as bespoke architectural details in millwork and molding, arched doorways, and oversized windows. He brilliantly weaves wood, stone, copper, and other natural substances through the interiors to create an effect that casts a spell inside and out. These are houses that are grounded in the past, designed for the present, and intended to remain beautiful and functional over the long term.
Tuscany’s historical residences tell stories that no mere guidebook can capture. The houses that dot the landscape—from the stately Medici villas to the more humble yet charming farmhouses—are not just structures but also symbols of a way of life, a lasting testament to the fusion of an agrarian lifestyle, picturesque towns, notable architecture, fine craft, and art.
In the book’s foreword, Cabana founder Mondadori writes, “Tuscany is not merely a region; it is a living canvas, a dreamscape that has cradled the imagination of artists, poets, and thinkers for centuries.” The interiors presented in this book are a celebration of the talents of the diverse contemporary homeowners, who are keeping the region’s creative spirit alive. Houses brim with the output of skilled craftsmen, exquisite tapestries, brocades and damasks, objects arranged as if painterly still lifes, fantastical murals, rare books, furniture from a range of periods, and fine porcelain.
A new tower stands out against the city skyline: the Unipol Tower designed by Mario Cucinella Architects, an internationally renowned architecture studio based in Milan and Bologna. The Unipol Tower is a 124-meter elliptical tower in the Porta Nuova area, in the heart of the city. Made from glass and steel, it has a glasshouse on the rooftop serving as a cultural venue. Commissioned by Unipol, the leading Italian insurance company, the tower looks beyond the corporate identity and headquarters of Unipol and has been acclaimed as one of the most advanced architecture projects ever created.