Adrift after her sister Bailey’s sudden death, Lennie finds herself torn between quiet, seductive Toby—Bailey’s boyfriend who shares Lennie’s grief—and Joe, the new boy in town who bursts with life and musical genius. Each offers Lennie something she desperately needs. One boy helps her remember. The other lets her forget. And she knows if the two of them collide, her whole world will explode.
As much a laugh-out-loud celebration of love as a nuanced and poignant portrait of loss, Lennie’s struggle to sort her own melody out out the noise around her makes for an always honest, often uproarious, and absolutely unforgettable read.
Return to the opulent world of Elfhame, filled with intrigue, betrayal, and dangerous desires, with this first book of a captivating new duology from the #1 New York Times bestselling author Holly Black. A runaway queen. A reluctant prince. And a quest that may destroy them both. Eight years have passed since the Battle of the Serpent. But in the icy north, Lady Nore of the Court of Teeth has reclaimed the Ice Needle Citadel. There, she is using an ancient relic to create monsters of stick and snow who will do her bidding and exact her revenge. Suren, child queen of the Court of Teeth, and the one person with power over her mother, fled to the human world. There, she lives feral in the woods. Lonely, and still haunted by the merciless torments she endured in the Court of Teeth, she bides her time by releasing mortals from foolish bargains. She believes herself forgotten until the storm hag, Bogdana chases her through the night streets. Suren is saved by none other than Prince Oak, heir to Elfhame, to whom she was once promised in marriage and who she has resented for years.
Emily Chen-Sanchez can’t do anything right. She’s been grounded for a bad grade; she can’t stop fighting with her perfect older sister; everyone’s tense because her mother’s just been diagnosed with thyroid cancer; and she hasn’t spoken to her best friend Matt in two weeks, four days, and about seven hours (not that she’s counting).
Her new summer job is the perfect escape: as companion to an eclectic, lively, Super Southern elderly lady, Mrs. Granucci. All Emily has to do is help Mrs. G ‘remember” her likes, dislikes, anything Mrs. G has a habit of forgetting, even Emily’s name. Emily feels closer to Mrs. G than everyone else until Mrs. G falsely accuses Emily. The betrayal will have ramifications for them both, and Emily must make a decision that will change their lives forever.
The Summer I Remembered Everything is a story of longing for an escape, finding yourself, caring for someone with an illness, and learning that sometimes the right decision is always the hardest.
Hazel Trépas has always known she wasn’t like the rest of her siblings. A thirteenth child, promised away to one of the gods, she spends her childhood waiting for her godfather—Merrick, the Dreaded End—to arrive.
When he does, he lays out exactly how he’s planned Hazel’s future. She will become a great healer, known throughout the kingdom for her precision and skill. To aid her endeavors, Merrick blesses Hazel with a gift, the ability to instantly deduce the exact cure needed to treat the sick.
But all gifts come with a price. Hazel can see when Death has claimed a patient—when all hope is gone—and is tasked to end their suffering, permanently. Haunted by the ghosts of those she’s killed, Hazel longs to run. But destiny brings her to the royal court, where she meets Leo, a rakish prince with a disdain for everything and everyone. And it’s where Hazel faces her biggest dilemma yet—to save the life of a king marked to die. Hazel knows what she is meant to do and knows what her heart is urging her toward, but what will happen if she goes against the will of Death?
From the astonishing mind of Erin A. Craig comes the breathtaking fairy tale retelling readers have been waiting for— what does a life well-lived mean, and how do we justify the impossible choices we make for the ones we love? The Thirteenth Child is a must-read for fans of dark fairy tales, romantasy, and epic fantasy alike.
A queen now in exile as a traitor, Lara has watched as Ithicana is conquered by her own father, helpless to do anything to stop the destruction. But when she learns her husband, Aren, has been captured in battle, Lara knows there is only one reason her father is keeping him alive: as bait for his traitorous daughter.
And it is bait she fully intends to take.
Risking her life on the Tempest Seas, Lara returns to Ithicana with a plan not only to free its king but to liberate the Bridge Kingdom from her father’s clutches, using his own weapons: the sisters whose lives she spared. Yet not only is the palace inescapable, there are more players in the game than Lara ever realized: enemies and allies switching sides in the fight for crowns, kingdoms, and bridges. But her greatest adversary of all might be the man she’s trying to free—the husband she betrayed.
With everything she loves in jeopardy, Lara must decide who—and what—she is fighting for: her kingdom, her husband, or herself.
A commander who bled to defend her people, Ahnna is haunted by two beliefs: The first is that she failed to protect Ithicana from invasion. And the second is that saving her homeland means leaving it behind forever.
The Maridrinians left Ithicana in ruins and its people impoverished. So when the wealthy kingdom of Harendell claims Ahnna as a bride for its crown prince, she is prepared to do whatever it takes to gain influence as the future queen—and to control the gold that comes with the throne.
Yet Ahnna swiftly discovers that beneath the beautiful surface of Harendell’s court is a dark underbelly of schemes, duplicity, and the pursuit of power. The only individual who holds himself above the politics is not her future husband but his infuriating half brother, James. And as she begins to question whether Harendell is the ally it claims to be, Ahnna finds herself drawn into a forbidden attraction to the wrong prince.
As deadly plots tighten around her, Ahnna must decide whether saving her people will be achieved as a bride . . . or as a blade.