In 1996, the town of Laurens, South Carolina, was thrust into the spotlight when a white supremacist named Michael Burden opened a museum celebrating the Ku Klux Klan in the community’s main square. Journalists and protestors flooded the town, and hate groups rallied to the establishment’s defense, dredging up the long history of racism and injustice.
What came next is the subject of the film Burden, which won the 2018 Sundance Film Festival Audience Award. Shortly after his museum opened, Burden abruptly left the Klan in search of a better life. Broke and homeless, he was taken in by Reverend David Kennedy, an African American leader in the Laurens community, who plunged his church, friends, and family into an inspiring quest to save their former enemy.
In this spellbinding Southern epic, journalist Courtney Hargrave further uncovers the complex events behind the story told in Andrew Heckler’s film. Hargrave explores the choices that led to Kennedy and Burden’s friendship, the social factors that drive young men to join hate groups, and the difference one person can make in confronting America’s oldest sin.
At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an act of biowarfare. And a rogue experimenter in man-made diseases is preparing his own terrifying solution.
As already-fraying global relations begin to snap, the virus slashes across the United States, dismantling institutions and decimating the population. With his own wife and children facing diminishing odds of survival, Henry travels from Indonesia to Saudi Arabia to his home base at the CDC in Atlanta, searching for a cure and for the origins of this seemingly unknowable disease. The End of October is a one-of-a-kind thriller steeped in real-life political and scientific implications, filled with the insight that has been the hallmark of Wright s acclaimed nonfiction and the full-tilt narrative suspense that only the best fiction can offer.
A swift and all-too-convincing chronicle of science, espionage, action and speculation that moves from Indonesia to Saudi Arabia to the U.S. as it eerily evokes real-life current events.
Nanny needed. Discretion is of the utmost importance. Special conditions apply.
When Sarah Larsen finds the notice, posted on creamy card stock in her building’s lobby, one glance at the exclusive address tells her she’s found her ticket out of a dead-end job—and life.
At the interview, the job seems like a dream come true: a glamorous penthouse apartment on the Upper West Side of NYC; a salary that adds several zeroes to her current income; the beautiful, worldly mother of her charge, who feels more like a friend than a potential boss. She’s overjoyed when she’s offered the position and signs the NDA without a second thought.
But in retrospect, the notice in her lobby was less an engraved invitation than a waving red flag. For there is something very strange about the Bird family. Why does the beautiful Mrs. Bird never leave the apartment alone? And what happened to the nanny before Sarah? It soon becomes clear that the Birds’ odd behaviors are more than the eccentricities of the wealthy.
But by then it’s too late for Sarah to seek help. After all, discretion is of the utmost importance.