LETRAS

Rubén Darío: Del símbolo a la realidad. Edición conmemorativa de la Real Academia Española por el Centenario del autor.

Los demonios es sin duda alguna una de las grandes novelas de Dostoyevski y una de las que más intensamente interpela al lector de nuestros días. Dostoyevski la escribió horrorizado por la muerte de un terrorista, Ivánov, asesinado por sus compañeros de lucha de la banda de Necháyev. El escritor decidió exhibir lo que era el terrorismo en una novela-advertencia. Pocas veces la literatura ha penetrado tanto en la conciencia de los terroristas como en Los demonios. Dostoyevski sabía bien de qué hablaba. Él mismo había participado en el Círculo Petrashevski antes de que la policía lo desmantelara y condenara a sus miembros a la muerte. El día de Nochebuena de 1849, tras un simulacro de ejecución, las autoridades penales anunciaron que habían cambiado el veredicto. El escritor, traumatizado para el resto de su vida, fue condenado a un campo de trabajos forzados en Siberia, en lo que sería un ensayo para el gulag soviético décadas después. Al adentrarse en la mente del terrorista, Dostoyevski describe en Los demonios una generación de jóvenes revolucionarios rusos dispuestos a "sacrificarse y sacrificarlo todo a la verdad". Pero como dice el mismo autor, "toda la cuestión está en qué se considera como verdad. Para ponerlo en claro, precisamente, he escrito esta novela". Los demonios se convierte así en una de las novelas más modernas del siglo XIX, y se puede leer en clave de una defensa de la libertad alejada de todos los fanatismos, y como una crítica acérrima, una advertencia y una premonición del Estado totalitario que tardaría medio siglo en producirse.

Skwerl and Cheese are down on their luck and about to find themselves tangled in the heist of their lives. Skwerl, once an elite member of the CIA's paramilitary unit, was cast out after a raid gone wrong in Afghanistan. Big Cheese Aziz, a former Afghan pilot of legendary skill, now works the graveyard shift at a gas station. Recruited into a shadowy network of "sheepdogs," they embark on a mission to repossess a multi-million-dollar private jet stranded on a remote African airfield. But as they wind through a labyrinth of lies and hidden agendas, they discover that nothing is as it seems. Their contact vanishes, their handler's motives are suspect, and the true source of their payday remains a mystery. With the stakes skyrocketing and the women in their lives drawn into the fray, this unlikely spy duo find themselves deep in the underbelly of modern war and intelligence. From the jungles of Kampala to the glitz of Marseille, they'll need to be as cunning as they are bold to survive in a game where the line between the hunters and the hunted is razor-thin.

The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt. In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

Abigail Hunt’s Hollywood dreams could best be described as slow burn…but she’s about to graduate from TV sidekick to dramatic actor. When the esteemed director of her breakout role suggests a deep dive for her part by shadowing the head of a struggling pro soccer team, she jumps at the chance to prove she’s ready. Getting asked out by notorious grump and gorgeous star player Luke Wolfe wasn’t in the plan, but suddenly her research is getting a lot more…hands-on. Their relationship quickly sets social media on fire, and Luke seems determined to prove he’s more than his villainous reputation. But just when Abigail is happier than ever—her name in lights and her heart in good hands—the other cleat drops: Luke’s been coerced into faking their relationship to improve the team’s ticket sales. Furious, Abigail refuses to give Luke the satisfaction of dumping him—she decides to get even. Over-the-top dates, treating his games like fashion shows, and befriending the fan club he hates? Count her in. It’s only a matter of time until she pushes the right buttons. She just didn’t expect him to keep putting up with it—or to say I love you.

Something magical is happening inside this museum. . . . Jean’s life is the same day in and day out. Frozen in time by his painter father, the legendary Henri Matisse, Jean observes the ebb and flow of museum guests as they take in the works of his father and other masters like Renoir, Picasso, and Modigliani. But his world takes a mesmerizing turn when Claire, a new museum employee, enters his life. Night after night, Claire moves through the gallery where Jean’s painting hangs, mopping the floors, talking softly to herself to stem her loneliness, and gazing admiringly at the masterpieces above. The alluring man in the corner of the Matisse—is he watching her? Why does she feel a deepening pull to him, like he can see her truest self, her most profound secrets? Did he just move?

Before Arin, Genevieve Yang was an only child. Living with her parents and grandmother in a single-room flat in working-class Bedok, Genevieve is saddled with an unexpected sibling when Arin appears, the shameful legacy of a grandfather long believed to be dead. As the two girls grow closer, they must navigate the intensity of life in a place where the urgent insistence on achievement demands constant sacrifice. Knowing that failure is not an option, the sisters learn to depend entirely on one another as they spurn outside friendships, leisure, and any semblance of a social life in pursuit of academic perfection and passage to a better future. When a stinging betrayal violently estranges Genevieve and Arin, Genevieve must weigh the value of ambition versus familial love, home versus the outside world, and allegiance to herself versus allegiance to the people who made her who she is.