LETRAS

Con su reputación literaria plenamente asegurada gracias a Crimen y castigo y Los demonios, Fiódor M. Dostoievski volcó en el periodismo, entre 1873 y 1881, su prodigiosa capacidad de análisis psicológico y su extraordinario talento para la controversia. En esta selección del Diario hay dos temas obsesivos: el maltrato de los niños en la familia y las causas de los suicidios.

A lo largo de una trama que discurre con la precisión de un mecanismo de relojería, Jane Austen perfila una galería de personajes que conforman un perfecto y sutil retrato de la época: las peripecias de una dama empeñada en casar a sus hijas con el mejor partido de la región, los vaivenes sentimentales de éstas, el oportunismo de un clérigo adulador... El trazado de los caracteres y el análisis de las relaciones humanas sometidas a un rígido código de costumbres, elementos esenciales de la narrativa de la autora, alcanzan en Orgullo y prejuicio cotas de maestría insuperable.

Almost every religion, spiritual practice, philosophy and person grapples with fear. The most repeated phrase in the Bible is “Be not afraid.” The ancient Greeks spoke of phobos, panic and terror. It is natural to feel fear, the Stoics believed, but it cannot rule you. Courage, then, is the ability to rise above fear, to do what’s right, to do what’s needed, to do what is true. And so it rests at the heart of the works of Marcus Aurelius, Aristotle, and CS Lewis, alongside temperance, justice, and wisdom. In Courage Is Calling, Ryan Holiday breaks down the elements of fear, an expression of cowardice, the elements of courage, an expression of bravery, and lastly, the elements of heroism, an expression of valor. Through engaging stories about historic and contemporary leaders, including Charles De Gaulle, Florence Nightingale, and Dr. Martin Luther King Jr., Holiday shows you how to conquer fear and practice courage in your daily life.

Kacey Dawson is a rising rock guitarist, living fast and burning out faster. When a concert in Vegas spirals into chaos, she wakes up on the couch of Jonah Fletcher, a quiet, artistic limo driver with a secret that's ticking down the days of his life. Jonah has no room for distractions. His final months are mapped out: finish his glass art installation and leave behind a legacy. But Kacey crashes into his world like a supernova messy, vibrant, and impossible to ignore.

Lenny Primrose has lived her entire life as her rich father's puppet. Now, at twenty-three, she's no longer interested in playing his games. Unfortunately, the only way to avoid being married off to one of her father's business partners is to involve the man he fears most: the British assassin who almost killed him. Jonas Wolfe would be content to never be in the same room as a Primrose ever again. His days are filled with contracted murder and running his pub anything to keep from sitting around thinking about his one failed mission. But when Lenny commits a rash crime, Jonas steps in to help, and extracting himself from her family becomes impossible.

In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He’s intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron’s sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices. It’s an inspirational story, to be sure, and as half of the famous Rodgers & Hammerstein duo, Hammerstein knows it has big Broadway potential. Yet much of Maria’s life will have to be reinvented for the stage, and with the horrors of war still fresh in people’s minds, Hammerstein can’t let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he’s busy, she is asked to express her concerns to his secretary, Fran, instead. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what will eventually appear in The Sound of Music. A tale of love, loss, and the difficult choices that we are often forced to make, Maria is a powerful reminder that the truth is usually more complicated—and certainly more compelling—than the stories immortalized by Hollywood.