LETRAS

A gifted young knight named Collum arrives at Camelot to compete for a place at the Round Table, only to find that he’s too late. King Arthur died two weeks ago at the Battle of Camlann, and only a handful of the knights of the Round Table are left. The survivors aren’t the heroes of legend like Lancelot or Gawain. They’re the oddballs of the Round Table, like Sir Palomides, the Saracen Knight, and Sir Dagonet, Arthur’s fool, who was knighted as a joke. They’re joined by Nimue, who was Merlin’s apprentice until she turned on him and buried him under a hill. But it's up to them to rebuild Camelot in a world that has lost its balance, even as God abandons Britain and the fairies and old gods return, led by Morgan le Fay. They must reclaim Excalibur and make this ruined world whole again—but first they'll have to solve the mystery of why the lonely, brilliant King Arthur fell.

With a seven-year age difference, Ryke Meadows and Daisy Calloway have faced an uphill battle in the eyes of the world and their families. Known as the most adventurous, fast-paced couple, their next step has always been elusive to the rabid media. Behind the scenes, heartbreaking troubles continue to test Ryke and Daisy’s resilience and shape their future together. They promise: To never slow down. To never compromise who they are. To never abandon their love for each other. But preserving their happiness also means taking more risks. As a professional free-solo climber, Ryke is no stranger to danger, but his next step with Daisy wagers more than just his health. With their lives on the line, Ryke and Daisy head towards the vast, wild unknown.

In Navola, a bustling city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their staggering wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese knowing who to trust and who to doubt, and how to read what lies hidden behind a smile. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur—like the fossilized dragon eye in the family’s possession, a potent symbol of their raw power and a talisman that seems to be summoning Davico to act.

They call it Blackchurch. A secluded mansion in a remote, undisclosed location where the wealthy and powerful send their misbehaving sons to cool off away from prying eyes. Will Grayson has always been reckless, wild, and never been bound by a single rule other than to do exactly what he wanted. He learned long ago that being treated like an animal gives you permission to act like one. Back in high school, he might’ve enjoyed backing Emory into corners when no one was looking, but he could also be warm. And fierce in keeping her safe. But the truth is, he has a right to hate her. Because it’s all her fault. Everything. Devil’s Night. The videos. The arrests. She’s to blame—and yet she regrets nothing. He never expected one of his enemies to come straight to him. But now he knows she’s here somewhere. And as the security detail leaves and the door to the gilded cage opens, giving Will free reign of the house and grounds for another unsupervised month, he remembers with a smile…

Bran’s Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her “common-law stepfather” on Bourdon Farms—a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family. And then she meets Peter, a beautiful, troubled, and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings—attending disastrous dance recitals, house-sitting for strangers, and writing scripts for student films. She knows how to survive, but her happiness depends on learning to call the shots.

Fitzgerald’s second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald’s intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, “Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe—when he cuts himself, you will bleed.”