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Imagen de THE BOOK OF PRINTED FABRICS. (CL)(INT)
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THE BOOK OF PRINTED FABRICS. (CL)(INT)

In the far east of France, close to the German and Swiss borders, lies the historic city of Mulhouse. During the early 19th century, it became one of the leading centres of textile manufacture in the country. Today it is home to the Musée de l’Impression sur Étoffes, a museum dedicated entirely to the history of fabric printing from the 17th century right up to the present day. Few are the serious fashion designers who have not come to visit this astonishing temple to textiles. This book, however, gives you the key to those vaults, presenting on its broad pages perfectly captured images of its collections that span four different continents – recounting a fascinating artistic and technological adventure across the world, from its origins in India to the most contemporary creations.
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Imagen de ISAY WEINFELD WORKS
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ISAY WEINFELD WORKS

Weinfeld is renowned for work that exudes the power of classical modernism while being completely of its own moment. Biophilic design, an approach to architecture that emphasizes and embraces the natural world and its restorative qualities, is at its heart, allowing for a gorgeous aesthetics while also celebrating nature. Here, design offers sublime symbiosis where natural world and that which is human-made serve as complements. Above all, the buildings are easy to be in, inviting, and elegant—and all without ostentatiousness.
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Imagen de XL-HIROSHIGE/EISEN, KISOKAIDO-INT
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XL-HIROSHIGE/EISEN, KISOKAIDO-INT

The Kisokaido route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
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