The treasures of mid-century American architecture have long been celebrated. Less appreciated has been the landscape design that provides the framing for these masterworks. But more than frame, landscape architecture is an art worthy of the spotlight, particularly at mid-century, when the notion that “gardens are outdoor spaces for people to live in” was championed and brought to the fore; now gardens and landscapes are not just external attributes to the house but a continuation of it and its living spaces in a relationship of symbiosis, with its pools and terraces, its winding lawns, and its partly enclosed room-like spaces flanked by brick or stone or plantings in a range of colors and forms.
The first illustrated book to chronicle the dramatic 1973 face-off between French and American fashion designers, which left an indelible mark on the fashion industry, launched American designers as a global force, and challenged the cultural norms of the time.
Images from the archives of renowned fashion photojournalists Bill Cunningham and Jean-luce Huré—largely unseen until now—capture the behind-the-scenes drama, fabulous clothing, iconic models, and glamorous guests at this historic show.
In 1952, after becoming one of the first-ever recipients of a Master of Science degree in Photography at Chicago’s Institute of Design, native New Yorker Marvin E. Newman returned to his hometown. Like many artists before, he set about chronicling the city. Unlike his predecessors, Newman chose color photography as the preeminent medium for capturing the people and energy of New York, and its emergence in the 1950s as the self-proclaimed “Greatest City in the World.”
Un pack con las 4 obras maestras de Tolkien.
-El Hobbit
-El Señor de los Anillos. La Comunidad del Anillo
-El Señor de los Anillos. Las Dos Torres
-El Señor de los Anillos. El Retorno del Rey
The first book to feature the interior design of the stylish, award-winning firm RRP / Rees Roberts + Partners, led by Interior Design–hall of fame inductee Lucien Rees-Roberts.
As Pilar Viladas writes in her introduction, “Rees-Roberts does not have a signature style. Instead, the interiors designed by his New York firm … have style, period, and lots of it.”
Well-known for his subtle use of color, texture, and fabric, Rees-Roberts’s designs capture the essence of modern living. Descended from generations of painters, his love for art is an important source for his inspiration and indelibly marks the work. Functionally elegant designs are characterized by a deference to art as well as to light and the views provided by natural surroundings. Each designed home reflects the owner’s character as well as the needs of everyday life, incorporating custom furniture and unusual antiques. The book, bound in sumptuous cloth and wrapped in a jacket with French folds, reflects the firm’s ever-present attention to detail.
Henry Bourne’s photographs of the residences and workspaces of a who’s who of creative people open windows onto the groundbreaking design approaches and trends of the last three decades.
For nearly thirty years, Bourne has been photographing the residences and studios of, or those designed by, some of the world’s most important artists, architects, designers, and innovators. Culture and society are constantly evolving, and changes, both aesthetic and sociological, are reflected in our physical surroundings. Spaces and portraits in this volume range from the Upstate New York studio of artist Richard Prince, Vincent Van Duysen’s early apartment in Antwerp, and Marc Newson’s residences (his modern former bachelor pad as well as the more textured apartment he shares with Charlotte Stockdale today) to the joyfully chaotic London atelier of artist Paula Rego, the Villa Volpi by architect Tomaso Buzzi near Rome, the London studio of artists Tim Noble and Sue Webster—before and after its sleek renovation, designed by architect David Adjaye.
Over the past three decades, Vincent Van Duysen has become an important force in design through his expressive architecture and serene interiors. This book documents the source of his inspirations and ongoing laboratory: his own homes.
Vincent Van Duysen has had an outsized influence on the world of architecture and design, from the rarefied echelons of interiors to highly successful collections for Zara Home and a nearly decade-long creative directorship of Molteni&C. Through his spare use of pure and tactile materials, Van Duysen employs a unique stylistic language that is both monastic and sensual, brutal and elegant, primal and refined. His commissions have included product design for numerous international brands, and commercial and large-scale architectural projects, among them high-end residences, a hotel, and retail spaces.
Avedon 100 celebrates Richard Avedon’s enduring influence on photography and makes clear his profound impression on visual culture worldwide.
Published on the occasion of the eponymous exhibition at Gagosian, New York, in 2023, this striking illustrated catalog celebrates the centenary of the iconic photographer’s birth. Over one hundred celebrated artists, designers, musicians, writers, curators, and figures from the world of fashion were asked to select a photograph by Avedon and elaborate on the ways in which both the image and artist have made an impact on their lives. Participants include Hilton Als, Naomi Campbell, Elton John, Spike Lee, Sally Mann, Polly Mellen, Kate Moss, Chloë Sevigny, Taryn Simon, Christy Turlington, and Jonas Wood.
El siglo XVI es una época en movimiento incesante, un mundo en transición del que Rabelais (1494-1553) no será testigo mudo ni pasivo. Todo lo contrario: es preciso inscribir su obra –gigantesca– como una de las más importantes y ambiciosas en esa trama de iniciativas dispares en las que la política, la religión, la ciencia, el arte, la técnica, el derecho, la literatura... se dan la mano. Obra singular por sus múltiples registros, obra única por sus incontables niveles: todos los ámbitos de lo real y de lo imaginario, todos los peldaños de la escala que va de lo más bajo a lo más sublime, tienen su lugar en esa obra voraz de uno de los más grandes escritores de la literatura universal. Nunca en el pasado, nunca en su futuro, una obra tuvo tal capacidad de ingestión y digestión de materiales tan diversos. Metabolismo desmesurado, excesivo –aunque también educado y exquisito– como el de los gigantes que la habitan.