NOVEDADES

Across Brazil and around the world, the elegant and meticulously crafted spaces designed by the firm Dado Castello Branco Arquitetura e Interiores are known for blending functionality with aesthetic allure. These places—residences, apartments, and villas, all in the signature style the firm has honed since its founding in São Paulo in the early 1990s—are brought to cinematic life by Brazilian artistic director and visual artist Ricardo van Steen. In these pages, van Steen stages a visual journey through four key elements of the company’s sophisticated design vision: He considers light as medium and muse, almost a character in the drama of each living, breathing space. He attends to matter, meaning the very materials of wood, copper, stone, fabric, and glass through which Dado’s designs achieve their richness and authenticity. He turns to the horizon, an essential feature that opens up perspectives and creates visual intrigue, serving as a metaphorical guide to the soul of the space. And he closes with art, paying tribute to Dado Castello Branco’s lifelong passion for the artists who inspire him and the art objects whose presence enhances these meticulous interiors. This richly illustrated publication brings us into these worlds of drama and elegance with exclusive photography and a profound consideration of the legacy of this legendary firm.

Conceived by William Cecil, Lord High Treasurer to Queen Elizabeth I, and built between 1555 and 1587, Burghley House is a testament to the ambition and vision of the most powerful courtier of the first Elizabethan age. Designed by Cecil himself, in consultation with the Dutch Renaissance architect and painter Hans Vredeman de Vries, the architecture and interiors at Burghley reflect a mix of contemporary fashionable influences. The house’s facades are each markedly different, with a striking and ornate Gothic gatehouse beneath a roofline of cupolas and obelisks, and with French and Italian styles visible in the windows and pilasters. And inside, where the State Rooms house remarkable collections of furniture, textiles, and Old Master paintings acquired over the centuries, Cecil’s Gothic-style Old Kitchen remains alongside the magnificent Renaissance staircase and Italianate fireplace in the Great Hall.

Este libro analiza la crisis de los fundamentos del derecho penal expresada en la profunda falta de correspondencia que existe entre el sistema normativo de las garantías y el funcionamiento efectivo de las instituciones punitivas. Hace un recorrido teórico por las raíces del modelo garantista recogido por la tradición ilustrada, así como por la oposición que contra dicho modelo han ejercido desde finales del siglo XIX la continua emergencia de arquetipos penales premodernos y la interminable tentación de autoritarismo. Ilustra las múltiples formas de ilegitimidad e injusticia provocadas por la inadecuación del modelo o por las lesiones contra las garantías individuales. Frente a la crisis del modelo, propone una reformulación y política en el marco de una teoría general del garantismo.