NOVEDADES

The mostly true tale of Stan Lee, the one and only Godfather of Comics. From his childhood in Depression-era New York, to transforming Marvel into the number one comics publisher in the world, to his 21st-century reinvention as Chief Creative Officer of global entertainment company POW! Entertainment, Stan “the Man” Lee stands the test of time as the most legendary name in comicbook history.

Dazzling, award-winning, and immensely livable homes are presented here by the world-renowned firm, famous for having played such a large role in the creation of the Miami Vice look, but whose work is so much wider ranging, and which now extends across the globe—from Miami to Singapore, London to Toronto, Luxembourg to Ho Chi Minh City. Highlights include the Ellipse, a delightful oval tower on the Jersey City, New Jersey, waterfront with prime Hudson River and Manhattan views, as well as the Aquavista, in Toronto, which boasts an extraordinary array of jutting terrace-balconies and bright interior spaces flooded with light. By seamlessly merging cutting-edge technology, sustainable practices, and bold artistic vision, Arquitectonica has redefined the possibilities of residential architecture. Their work not only elevates urban living but also affirms a commitment to creating vibrant, livable spaces that inspire communities worldwide.

This book celebrates the 1925 Paris Exposition—at its centenary—a landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (1879–1933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann’s pavilion, L’Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d’art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.