NOVEDADES

In Carrie, a teenage girl is tormented and teased to the breaking point by her more popular schoolmates. But Carrie has a gift and she uses this gift to inflict a terrifying revenge. In 'Salem's Lot, Ben Mears has returned to Jerusalem's Lot, an old mansion, long the subject of town lore, to work on his new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there is something evil growing within the borders of this small New England town. In The Shining, Jack Torrance's new job as the off-season caretaker at the Overlook Hotel is the perfect chance for a fresh start. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

La religión es algo común en la vida ordinaria, acerca de la cual todo el mundo, creyentes o no creyentes, tiene alguna opinión. En nuestra sociedad actual, educada en el cristianismo (pero lo mismo se podría decir en sociedades educadas en el islamismo, judaísmo o budismo, es decir, en las llamadas religiones superiores), podría afirmarse que la mayor parte de sus miembros 'saben' perfectamente en qué lugar hay que situar la religión: las religiones tienen que ver con Dios, con las relaciones entre el hombre y Dios. Cuando los hombres son creyentes (sea practicando una confesión determinada o, sin practicar ninguna religión positiva, manteniendo la fe en un ser superior) dirán que la religión es verdadera o que las religiones tienen algún tipo de verdad. Cuando los hombres no creen en la existencia de algún Dios dirán simplemente que las religiones son falsas (acaso las justificarán o explicarán por motivos psicológicos –la esperanza que la religión ofrece– o sociológicos –el 'opio del pueblo', engaños de la casta sacerdotal para defender su estatus de poder...–). Pero, sin embargo, seguirán sabiendo lo que es la religión, como algo que, en todo caso, tiene que ver con Dios (sea éste real o imaginario).

Monet’s Venice paintings are high points in his lifelong engagement with the interplay of water and light. Monet and Venice—anchored by two masterworks from the collections of Brooklyn and San Francisco, The Doge’s Palace and The Grand Canal, Venice—will be the first exhibition and English-language publication dedicated to this significant suite of paintings since their Parisian debut at the Bernheim-Jeune gallery in 1912. Monet keenly felt the burden of influence in a city that had so often been depicted and had long been an icon of waning, fragile beauty. Venice was—and is—a place where culture and nature are profoundly and uniquely entangled. Monet’s images of Venice’s buildings and canals dissolved in colorful mist and hazy light may be seen as meditations on human aesthetic interaction with a natural environment built upon for centuries.

Chanel expert Isabelle Fiemeyer offers a rare, deeply personal look into the life of the iconic designer Coco Chanel. This biography draws from exclusive interviews with Chanel’s closest family members and extensive archival research to reveal the designer’s most private world—her love for symbolism and poetry, her romantic relationships, and her enduring bond with her nephew, André Palasse, whom she raised as her own son. His daughter, Gabrielle Palasse-Labrunie—Chanel’s goddaughter and only direct descendant—shares intimate memories and access to her great-aunt’s cherished collection of fashion, jewelry, and art. Divided into five chronological sections, the book immerses readers in Chanel’s life, unveiling rarely seen personal artifacts: gifts from her great love, Boy Capel, as well as her furniture, favorite jewelry, talismans, garments, family photos, and correspondence. This new text expands upon Fiemeyer’s research from her previous books on the designer and includes the compelling chapter “Alias Coco,” which explores newly uncovered documents from French Secret Service archives, shedding light on Chanel’s clandestine activities during World War II and her connections to the Resistance.

In this celebration of style, from the moment she entered the public eye during her husband’s U.S. Senate campaign through her time as the first Black First Lady and today as one of this country’s most influential figures, Michelle Obama shares how she uses the beauty and intrigue of fashion to draw attention to her message. Featuring the voices of Meredith Koop, Obama’s trusted stylist, as well as her makeup artist Carl Ray, hairstylists Yene Damtew, Johnny Wright, and Njeri Radway, and many of the designers who have dressed Obama for notable events, The Look brings readers behind the scenes not only to reveal how her most memorable looks came together but also to tell a powerful story about how we present ourselves. Obama’s intimate and candid stories illuminate how her approach to dressing has evolved throughout her life—from the colorful sheath dresses, cardigans, and brooches she wore during her time as First Lady to the bold suits, denim, and braids of her post-White House life and all the active looks and beautiful gowns in between.