Lillian and Henry have been enjoying each other’s company, particularly in bed. Even though Lillian’s best (and only) friend calls it a “situationship,” Lillian knows better. And she has a plan to lock Henry down. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup instead of a love declaration, Lillian is left with no choice but to exact revenge with a hex.
Lillian expects Henry to grovel and come crawling back to her. What she doesn’t anticipate is becoming a prime suspect in his murder case when he’s found dead.
Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin, which may just upend her life for good.
Anneke has a complicated relationship with her father, Abraham Van Helsing—doctor, scientist, and madman devoted to the study of vampires—until the night she comes home to find him murdered, with a surreally beautiful woman looming over his body. A woman who leaves no trace behind, other than the dreams and nightmares that now plague Anneke every night.
Spurred by her desire for vengeance and armed with the latest forensic and investigatory techniques, Anneke puts together a team of detectives to catch this mysterious serial killer. Because her father isn’t the only inexplicable dead body. There’s a trail of victims across Europe, and Anneke is certain they’re all connected.
But during the years spent relentlessly hunting the killer, Anneke keeps crucial evidence to herself: infuriatingly coy letters, addressed only to her, occasionally soaked in blood, and always signed Diavola.
A GAME OF THRONES
In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the North of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.
Séneca, uno de los puntales del estoicismo romano, consideraba que la ira era la peor plaga que afectaba a la sociedad de su tiempo. Le dedica en este ensayo un certero diagnóstico, explica las causas que la provocan y las posibles soluciones. Aporta además, numerosos ejemplos históricos negativos para reforzar su postura y su convicción. El resultado es una obra que no ha perdido un ápice de vigencia.
Estrabón es el mayor y más entretenido geógrafo griego de la Antigüedad. Dedicó sus libros a describir diferentes zonas y lo hizo según pautas científicas, pero añadiendo al relato otros muchos datos históricos y culturales. Es el caso de su tercer libro, dedicado a la península Ibérica, que es una fuente necesaria para conocer el pasado del territorio.
Marybeth Pickett gets the call she has always dreaded: her husband Joe is in critical condition with a gunshot wound to the head.
Joe was found in his pickup at Antler Creek Junction, a crossroads connecting three ranches. Each road leading to a dangerous family. Each family with a different bone to pick with the local game warden. Marybeth and the new sheriff assume that Joe was ambushed by one of the families, but they have no idea which one since Joe didn’t say where he was going or why.
With Joe unconscious and fighting for his life with Marybeth at his side, Sheridan, April, and Lucy split up and investigate each of families to uncover the truth of what happened to their father, before it’s too late.
Arnold didn’t mean for the books to disappear—not exactly. It all started because he liked his book about airplanes best. Why would anyone want to read about tomatoes or ostriches or submarines (ew, the worst!) when they could read about planes, instead?
When Arnold realizes—POOF!—he can make the other books vanish, he goes a little too far. Before he knows it, all the books are gone…including his. Can Arnold figure out how to bring them back before it’s too late?
"As a palace faerie, Avery is busy preparing Lady Kassandra, a High Fae of the House of Illusion, for the upcoming coronation. Both of their freedoms rely on it: Kassandra, to escape her violent brother, and Avery, to pay off rings of debt tattoos she has inherited from her family, which force her to serve the High Fae. After a series of tragic events, Avery is forced to split her loyalties between Lady Kassandra and the newly crowned King Maxian, an alluring High Fae of staggering power. Avery agrees to spy on the King in exchange for liberating her family from debt, forming a triangle that proves more dangerous by the minute--further complicated by Avery's warring desire and resentment for both Maxian and Kassandra. But freedom from her debt grows further out of reach when she's forced to test her loyalties, leading her to uncover secrets about the High Fae with earth-shattering implications. Soon, Avery must find out whether the faeries--and herself--are really as powerless against the High Fae as they seem...or whether she just might hold the key to freeing them all."
When the Bus Driver takes a break from his route, a very unlikely volunteer springs up to take his place: a pigeon! But you’ve never met a pigeon like this one before. As the Pigeon pleads, wheedles, and begs his way through the book, readers answer back and decide his fate.