Evelina Westerly siempre ha sido la mala. Es el cerebro del imperio de la droga que dirige su padre y no tiene piedad. Reparte sus días entre perfeccionar su invernadero y tratar de vengar el asesinato de su hermana. No tiene tiempo para nada más, y mucho menos para el amor. Tras una aventura de una noche con un hombre muy atractivo en un club nocturno, vuelve a su vida criminal..., hasta que ese mismo hombre aparece de nuevo, esta vez trabajando para los Westerly, y con otro nombre.
The House of Chanel offers rare access behind the scenes to three haute couture runway shows designed in dialogue with contemporary artist Xavier Veilhan.
Virginie Viard, artistic director for Chanel’s fashion collections, entrusted Xavier Veilhan with the set design for three consecutive haute couture shows: Spring‒Summer 2022, Fall‒Winter 2022/23, and Spring‒Summer 2023. This unusually long dialogue resulted in an original visual universe, blending Veilhan’s poetic imagination, his reinterpretation of the Chanel world, and the infinite delicacy of Virginie Viard’s haute couture creations.
The Kisokaido route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.