NOVEDADES

A swirl of elegantly offbeat parties and lush tablescapes, where ceramic snails creep under flower petals and chandelier girls covered in Swarovski crystals beckon guests to the dance floor: Gardner’s infectious irreverence shines in her glamorous approach to entertaining, where even the mundane is made delicious. This book—like her parties—is a decadent feast for the eyes, with a foreword by Sofia Coppola and photography that captures the surprise and delight of Gardner’s hyperbolic entertaining style. From a brass band leading guests to dinner along the tracks of the Napa Valley Wine Train to a pink-poodle-themed holiday party with a bountiful buffet of retro desserts, the pages burst with entertainments, heavy pours, and flattering light as all the elements combine in a perfectly orchestrated yet seemingly effortless way that makes it impossible for guests not to have a screaming blast!

All stories come to an end. Effy learned that when she defeated the Fairy King. Even though she may never know exactly what happened at Hiraeth, she is free of her nightmares and is able to pen a thesis with Preston on the beloved national fairy tale Angharad. She has finally earned a spot at the literature college, making her the first woman in history to enroll. But some dreams are dangerous, especially when they come true. The entire university—and soon the entire nation—is waiting for her to fail. With the Fairy King defeated and Myrddin’s legacy exposed, Effy can no longer escape into fantasy. Who is she without her stories? With Effy under threat, Preston is surprised to discover a rage simmering inside him, ringing in his ears like bells. He begins to dream of a palace under the sea, a world where he is king—visions that start to follow him even in waking. As the war between Llyr and Argant explodes, Effy and Preston find themselves caught in the crossfire: Effy losing her dreams and Preston losing himself in his. Are dreams ever truly just dreams?

Publicada con motivo del centenario del nacimiento de Julia Uceda, una de las autoras más importantes de su generación y de la poesía española contemporánea, esta antología es fruto de la colaboración entre la poeta, que trabajó en ella hasta poco antes de su muerte en 2024, y su sobrino el artista Francisco Uceda. A todo lo que pase y se borre y se pierda recoge poemas de sus diez libros publicados, desde Mariposa en cenizas (1959) hasta Escritos en la corteza de los árboles (2013), y los acompaña de ilustraciones expresamente realizadas para la ocasión, en una hermosa edición que rinde homenaje a la memoria de Julia Uceda y reivindica tanto su perdurable ejemplo moral como la fuerza y la singularidad de su poesía.