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Imagen de THE BIRTH OF ART DECO: RUHLMANN AND L H.
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THE BIRTH OF ART DECO: RUHLMANN AND L H.

This book celebrates the 1925 Paris Exposition—at its centenary—a landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (1879–1933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann’s pavilion, L’Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d’art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.
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Imagen de THE BLACK PHONE [MOVIE TIE-IN]
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THE BLACK PHONE [MOVIE TIE-IN]

Jack Finney is thirteen, alone, and in desperate trouble. For two years now, someone has been stalking the boys of Galesberg, stealing them away, never to be seen again. And now, Finney finds himself in danger of joining them: locked in a psychopath’s basement, a place stained with the blood of half a dozen murdered children. With him in his subterranean cell is an antique phone, long since disconnected . . . but it rings at night anyway, with calls from the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.
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Imagen de THE BOOK OF MIRACLES. 45TH ED. (INT)
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THE BOOK OF MIRACLES. 45TH ED. (INT)

The Book of Miracles first surfaced several ago and is one of the most spectacular discoveries in the field of Renaissance art. The near-complete illustrated manuscript, created in Augsburg around 1550, is composed of 169 pages of large-format illustrations in gouache and watercolor, depicting wondrous and often eerie phenomena. The mesmerizing images deal with both biblical and folkloric tales, depicting stories from the Old Testament and Book of Revelation as well as events that took place in the immediate present of the manuscript’s author. From shooting stars to swarms of locusts, terrifying monsters to fatal floods, page after page hypnotizes with visions alternately dreadful, spectacular, and even apocalyptic.
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