ARQUITECTURA Y DISEÑO

Designed by Frank Lloyd Wright for Edgar Kaufmann Sr., his wife, Liliane Kaufmann, and their son, Edgar Kaufmann jr., Fallingwater is lauded for its architectural daring and drama. Here the Kaufmanns sought to live in harmony with the natural world. The rooms of the house reflect this ideal and remain suffused with a natural aesthetic that embraces stone and wood, handwork and craftsmanship. In the living room, the great stone floor flows riverlike toward the horizon of Wright–designed built-in sofas and large-paned casement windows, where views open to balconies, to forest, and to cascading falls. From here “the hatch” opens to the flowing stream below. Pools and the waters of Bear Run were beautiful and for swimming. Relaxed elegance was the order of the day. Delicacy, softness, tactility are everywhere in evidence.

A fashion icon in her own right, Keaton amusingly revisits and reflects on some of her favorite and not-so-favorite fashion moments over the decades, from childhood homemade outfits to red carpet ensembles and street style experiments she tried from the 1960s until today. Since she could remember, Keaton has been fascinated by clothing and style. As a little girl, she would pick out patterns and request that her mother make her custom outfits. This was the beginning of a love affair with clothes and looks, and sometimes, fashion. From the outset of her acting career in the 1970s, the legendary star has experimented and thought outside the lines of what a Hollywood icon should wear and still became lauded as a style icon by Vogue, W, The Hollywood Reporter, and countless fashion websites. Keaton’s style is at once timeless, experimental, bold, effortless, androgynous, quirky, and utterly and distinctly her own.

Explore the emotional connection that a home can have to a person’s life with Feels Like Home from Lauren Liess, the TV and social media star and author of Habitat and Down to Earth A house is a feeling. That is the conceit behind designer Lauren Liess’s third book, which explores the emotional connection between the way we decorate our homes and our daily lives. She advises readers to think beyond just the objects in their homes and explore how design informs an intentional, happy, and authentic life. The book includes practical design information, with never-before-seen case studies on a variety of homes including a farmhouse, a home in the woods, a Spanish colonial, and other more traditional homes. Each case study explores a hardworking design aspect (such as proportion, scale, and color), while also focusing on the emotional aspect of the home. With chapters inspired by the themes of comfort, calm, excitement, belonging, carefree, love, and contentment, Feels Like Home provides inspiration while also serving as a beautiful object itself.

This book will represent one of the most effective and extravagant visions of architecture, one that links the new generations and the old world. In the past few years, Mexico has brought to light a new generation of architects whose extraordinary vision and productivity has positioned the country among the most creative design cultures of the world. Under his own firm FR-EE, since 2000 Fernando Romero has designed and created a number of projects which represent a new vision of Mexican and world architecture. Romero's approach to architecture is innovative and an inspirational tool for empowering future generations. The volume will focus on three themes that intertwine throughout the content of the book. On-site photographs (mainly aerial views) highlight the different places where FR-EE works, from urban centers to the desert. The location is what drives FR-EE's creative work, while the practice strives to investigate the dynamic forces of each site and client. Inspirational photographs give the reader a vision of how Romero's perspective shifts between different focuses of references, and reimagines them in new symbolic visions of the world (from monuments to colors, from natural elements to animals). The images include renderings, photographs, diagrams, plans, and sections. The projects are presented in situ and through architectural drawings, so as to explain the projects' concepts and contents.

Influential designer Harris Reed explores the world of gender-defying fashion in this richly illustrated monograph. In Fluid, revolutionary fashion designer Harris Reed introduces the world to a new era in fluid fashion. At the center of Reed’s sartorial journey has always been his desire to change the way people express their identities through clothing. Fluidity’s essence is adaptable, evolutionary, and dynamic, and Reed’s work constantly disrupts the divide between men’s and women’s clothing. Reed’s pieces have been worn by Harry Styles, Adele, Sam Smith, Iman, and Beyoncé, and with each piece, he has generated an instantly iconic cultural moment, pushing conversations about gender expression into the mainstream. Fluid examines historical antecedents of fluidity, questions old power structures, and urges people to find their authentic selves in this new avenue of fashion. With stunning color photography, resplendent fashion, and illustrations of Harris’s design process, Fluid takes readers beyond the idea of clothes as mere garments, positing that clothes are a nexus of art, philosophy, and history that can be used to help shape our culture and challenge understandings of gender. With this book, Reed affirms that fluid is the future of fashion.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.