ARTES

For over fifty years, Jacques Grange has been the decorator of choice for the homes of prominent collectors, artists, designers, and trendsetters. With a classical education from the École Boulle and École Camondo in Paris, combined with his passion for contemporary art, Grange has developed a unique vision and an inimitable approach to interior design. In this stunning new book, illustrated with previously unpublished photographs by Nicolas Mathéus, readers will discover thirty of Grange’s latest projects across Europe and the United States, showcasing his wide-ranging inspirations and his natural elegance. From luxurious private mansions in Paris, residences in London and New York, trendy hotels that feel like homes, and chic seaside retreats in New England and Comporta to sensitive restorations of important historical homes in Normandy and on the Riviera, each project bears Grange’s singular touch and unparalleled artistry. With insightful commentary by Pierre Passebon, the text delves into the foundations of Grange’s creative evolution, his extensive travels, and his inspirations, examining his eclectic, unique, and refined aesthetic. Despite his long and illustrious career, Jacques Grange remains as original, inspired, and open to the world as ever, continuing to influence younger generations of clients and designers with his boundless vision and passion for beauty.

Meticulous reproductions of sublime paintings showcase rikka, the oldest and most traditional form of flower arranging, which is linked to the Ikenobō school, Japan’s first and largest school of ikebana. The images presented here perfectly illustrate the main principles of ikebana—harmonious juxtaposition of flowers, balance between foliage (leaves, fronds, reeds, etc.) and branches, and naturalistic compositions for display. Several schools and styles of ikebana have evolved over the centuries. The rikka style is characterized by the use of erect branches and flowers to display a marked verticality in order to express the beauty of a natural landscape in a single vase. The floral arrangements in this collection date back to the Ikenobō Grand Master of Kyoto’s Rokkakudō Temple and his disciples from the Ashikaga Shogunate (1336–1573). These flower arrangements were officially documented by Igai Sansaemon in 1673 in artworks printed xylographically and then hand-colored using the gansai watercolor technique. The reproductions are accompanied by authoritative text by one of the world’s leading authorities on Japanese art.

From the 1940s to the 1980s, some of the best resi-dences in Northern California were decorated by a coterie of designers whose names were once recognized only by the cognoscenti of interior design. From Frances Elkins and Tony Hail, with their aristocratic aesthetics, to Michael Taylor and John Dickinson, with their bold fantasies, these designers created revolutionary settings that were idiomatic of their time and place—fresh, luxurious spaces complementing the various terrains and lifestyles of the northern part of the state. Fred Lyon (b. 1924) is perhaps the only photographer who knew and documented the work of this talented group. Akin to what Julius Shulman was doing in Southern California, Lyon worked closely with the designers and magazine editors to help shape the look for posterity. In the years following the work of these giants, most of the spaces they created are gone or vastly changed, replaced by different tastes and new styles. Now re-appreciated for their artistry, we can relive this exciting era through Lyon’s superb photography.

This volume presents a new collection of Takada’s most recent projects, pushing further his continuing reflections on reconnecting the natural world with the built environment. Featuring breathtaking photography of his buildings and interiors, along with sketches and nature-inspired imagery, the book guides readers through Takada’s global work and innovations. The climate positive residence Sunflower House in Italy has a rotating roof and floors to manage sun exposure and heat gain; the Landmark by Lexus pavilion in Melbourne has 1,000 native Australian plants growing on its facade that granted it a carbon neutral certification; the Palm Frond Retreat at Balmoral Beach in Australia is designed for the inhabitants to use different parts of the house depending on the season and time of day, creating positive impact within homes. Each project illustrates Takada’s study of how the present ecological constrains weigh on the architectural design processes and how the reality of our densely built habitats changes the perception we have of buildings and cities, offering a compelling look at environmentally conscious architecture today and to the future evolution of the practice.

This deluxe volume offers a meticulously researched and lavishly illustrated history of fifty magnificent estates in three of America’s most prized residential districts: Beverly Hills, Bel-Air, and Holmby Hills. Lush color photographs as well as a trove of historical images take readers beyond the front gates for an exceptional view of the mansions, grounds, and gardens of these sumptuous estates and tell the history of Los Angeles’s rise from rugged paddocks and farmland to famed metropolis. Each house is explored both for its historical and architectural importance, for here are the epitome of residences and gardens reflecting the famed Italianate and California Mediterranean styles by all the leading architects of Southern California, including Wallace Neff, James Dolena, Gordon Kaufmann, Robert Farquhar, Roland Coate, and Paul Williams. They built for clients such as Gary Cooper, Buster Keaton, Harold Lloyd, and Bing Crosby, whose own stories reflect the intrigue and foibles of Hollywood society. The book’s final chapter, “Gone but Not Forgotten,” pays homage to great estates that have been destroyed or lost to history.

Published on the occasion of a major exhibition at Nakanoshima Museum of Art in Osaka, Japan, this volume explores the deep and transformative relationship between Louis Vuitton and Japan, which has produced myriad innovative collaborations that have defined the brand and revolutionized contemporary fashion. This fresh perspective on the global impact of the luxury powerhouse follows Louis Vuitton’s journey from pioneering trunk innovations to its outsize influence on global street style, especially in Japan. In the volume, the Maison’s history comes to life, from the evolution of its Monogram logo (which took inspiration, in part, from Japanese design) to the ingenious flat stackable trunk and patented lock innovations, alongside the brand’s bold expansion into Japan. The authors consider the house’s groundbreaking artistic collaborations most notably with artists Takashi Murakami (with his iconic “Monogramouflage”) and Yayoi Kusama (with her signature polka-dot motifs) which transformed Louis Vuitton’s visual identity.

Monet’s Venice paintings are high points in his lifelong engagement with the interplay of water and light. Monet and Venice—anchored by two masterworks from the collections of Brooklyn and San Francisco, The Doge’s Palace and The Grand Canal, Venice—will be the first exhibition and English-language publication dedicated to this significant suite of paintings since their Parisian debut at the Bernheim-Jeune gallery in 1912. Monet keenly felt the burden of influence in a city that had so often been depicted and had long been an icon of waning, fragile beauty. Venice was—and is—a place where culture and nature are profoundly and uniquely entangled. Monet’s images of Venice’s buildings and canals dissolved in colorful mist and hazy light may be seen as meditations on human aesthetic interaction with a natural environment built upon for centuries.

For Brudnizki, color is an essential ingredient for storytelling and conjuring atmosphere. Color is a force that brings his spaces to life, defining them, and enhancing the experience within them; it is a character in itself and Brudnizki uses it to blur the lines between eras and styles, to marry heritage with modern luxury. From the fantasy-full and decadent rococo interiors of London members club Annabel’s to the soft, muted palette of the Splendido’s Baronessa Suite and the Parisian spirit of the restaurant at New York’s outpost of Fouquet’s, Brudnizki’s signature paintbrush imbues his interiors with idiosyncrasy and flair. In this enchanting volume, the designer draws inspiration from nature, art, fashion, and history to show us how color influences his life and work. The charming design of the book brings the magic of his world to life: classical busts are unmoored from their pedestals, silky peonies embellish texts, candelabras glow, and birds flutter free from their frescoes and travel with us for pages. Each chapter is devoted to a single color, illuminating how Brudnizki leverages the emotional power of color to enhance the overwhelmingly beautiful and luxurious spaces he creates.

The vibrant and dynamic neighborhoods of New York are packed with iconic buildings, brilliant Broadway shows, and world-famous museums—but there is still plenty to discover for those seeking something off the beaten path in this iconic city. Perfect for an adventurous traveler—where The Rough Guide crowd meets the Wallpaper audience—this book is for anyone yearning to be inspired and excited by travel, and who is hungry for the less obvious. Packed with delis, diners, food trucks, night markets, and much more, New York’s thriving street food scene is a haven for foodies looking to take the subway beyond Chinatown and Little Italy. Art enthusiasts can skip high-end galleries to explore instead the installations, intriguing exhibits, and underground art of Greenwich while fashionistas can stroll down Seventh Avenue for next-level window shopping or visit the carefully curated flea markets, a cornucopia of fashion and style options.

From the fabled towers of Babylon and Angkor Wat to the colossal stone heads of Rapa Nui (Easter Island) and secret gardens of Beijing’s Forbidden City, each of the sixty sites featured in this lavishly illustrated book are must-visit destinations for every cultured traveler, representing the pinnacles of human achievement over millennia and across the globe. Yet despite their beauty, fame, and importance, these treasured places face existential challenges arising from climate change, war, financial pressures, and—increasingly—over-tourism. From its founding in 1965, World Monuments Fund (WMF) has focused the public’s attention on these dangers while developing solutions that will ensure these sites will be enjoyed for generations to come.