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Imagen de A DISCOVERY OF WITCHES (MOVIE-TI) (PB)
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A DISCOVERY OF WITCHES (MOVIE-TI) (PB)

Deborah Harkness’s sparkling debut, A Discovery of Witches, has brought her into the spotlight and galvanized fans around the world. In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont. Harkness has created a universe to rival those of Anne Rice, Diana Gabaldon, and Elizabeth Kostova, and she adds a scholar's depth to this riveting tale of magic and suspense.
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Imagen de A DOBLE CIEGO (OF2)
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A DOBLE CIEGO (OF2)

Un grupo de jóvenes activistas y hackers de diferente procedencia se presenta al concurso a la mejor innovación nórdica con un proyecto para recopilar datos de cualquier sistema y crear conexiones con el big data. No logran resultar premiados, pero al final del evento reciben un misterioso encargo para recabar datos sobre un medicamento y su uso en pacientes de distintos lugares del mundo. El grupo acepta sin saber apenas nada de quién les ha hecho un encargo tan bien retribuido ni para qué servirán sus resultados. Poco a poco se irán desvelando algunos engranajes de la interacción entre el sector farmacéutico y el dinero.
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Imagen de A FAREWELL TO ARMS
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A FAREWELL TO ARMS

A Farewell to Arms is one of Ernest Hemingway’s most popular books, a masterpiece that is not only among the greatest novels to come out of World War I but also one of the most profoundly moving in the American canon. Based on Hemingway’s own experience volunteering with the Red Cross in Italy during World War I, and written when he was only thirty, it tells the story of Frederic Henry, an American ambulance driver, and Catherine Barkley, an English nurse. For Frederic, Catherine’s kindness and beauty shore him up against the carnage of battle; for Catherine, Frederic’s strength and devotion are a lifeboat in the sea of grief over her first love. Through injury, surgery, and the psychic fallout of war, they maintain an overwhelming desire to be together, even as forces conspire to keep them apart. Hemingway captures the intensity of both love and war with the taut immediacy and spare, understated eloquence that are his hallmarks, reminding us why this novel—his first bestseller—endures as a favorite, and why the Nobel laureate ranks among our most treasured writers.
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Imagen de A FUEGO Y ESPADA (NAPOLEON 3)
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A FUEGO Y ESPADA (NAPOLEON 3)

A finales de 1804, Napoleón y Wellington intentan cada uno de distinta forma de escapar de sus respectivas mujeres (Josefina y Kitty Pakenham respectivamente) y, curiosamente, ambos dirigen su mirada a la península Ibérica: Napoleón con el objetivo de poner a uno de sus hermanos al frente de un país en el que la política y la religión se han convertido en grandes campos de batalla entre aristocracia, clero y pueblo llano; Wellington, con la intención de huir del politiqueo de baja estofa que se ha adueñado de Londres y con el deseo de eclipsar la aureola que rodea al héroe del momento, el capitán Nelson. Simon Scarrow ha puesto en pie uno de los ciclos históricos más apasionantes jamás escritos, entre cuyas virtudes se cuenta el ofrecernos una visión más clarificadora y exacta de las guerras napoleónicas que muchos tratados de historia.
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Imagen de A GAME OF THRONES (MOVIE) (1) (MM)
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A GAME OF THRONES (MOVIE) (1) (MM)

A GAME OF THRONES In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the North of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.
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Imagen de A GOOD PERSON
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A GOOD PERSON

Lillian and Henry have been enjoying each other’s company, particularly in bed. Even though Lillian’s best (and only) friend calls it a “situationship,” Lillian knows better. And she has a plan to lock Henry down. She’ll be the best, most accommodating version of herself until he falls in love with her. But when Henry blindsides Lillian with a breakup instead of a love declaration, Lillian is left with no choice but to exact revenge with a hex. Lillian expects Henry to grovel and come crawling back to her. What she doesn’t anticipate is becoming a prime suspect in his murder case when he’s found dead. Desperate to control the narrative, clear her name, and assume her rightful place as Henry’s mourning girlfriend, Lillian’s pursuit of the truth will throw her into a dangerous tailspin, which may just upend her life for good.
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