No one said fair trade needed to be “fair.”
As the owner of Honeysuckle Salon, Jessie Barnes usually has everything managed and on track, but now in her third trimester of an unexpected pregnancy, she feels a bit lost and increasingly desperate after faulty plumbing floods her apartment. Unfortunately, her knight in shining armor is actually Dr. Drew Marshall, her best friend’s brother, and he’s also the man she chewed out not too long ago for being a chauvinistic dirtbag.
Every moment Drew’s had to prove her wrong since then has failed, so Jessie’s opinion of him hasn’t improved. That remains the case when he agrees to let her stay with him during renovations, under one condition: She pretends to be his girlfriend for upcoming work festivities. For the sake of her brother, Jessie is willing to make the tough situation work, and giving Drew a taste of his own medicine sounds . . . intriguing.
But when their rivalry sparks a deeper connection, Jessie’s future becomes even more unclear—and with a baby on the way, she’ll have to make a decision soon.
More than fifteen years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by that of Aunt Lydia, whose complex past and uncertain future unfold in surprising and pivotal ways.
With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is and how far she will go for what she believes.
In "The Turn of the Screw," one of the most famous ghost stories of all time, a
governess becomes obsessed with the belief that malevolent forces are stalking
the children in her care. It is accompanied here by several more of the very best of
Henry James's short stories, all exploring ghosts and the uncanny.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A servant girl escapes from a settlement. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her.
This time the gossip columnists have it wrong. London’s most elusive bachelor Anthony Bridgerton hasn’t just decided to marry—he’s even chosen a wife! The only obstacle is his intended’s older sister, Kate Sheffield—the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate’s the woman haunting his increasingly erotic dreams...
Contrary to popular belief, Kate is quite sure that reformed rakes do not make the best husbands—and Anthony Bridgerton is the most wicked rogue of them all. Kate’s determined to protect her sister—but she fears her own heart is vulnerable. And when Anthony’s lips touch hers, she’s suddenly afraid she might not be able to resist the reprehensible rake herself...
While on a writer’s residency, a nameless narrator focuses on the color white to creatively channel her inner pain. Through lyrical, interconnected stories, she grapples with the tragedy that has haunted her family, attempting to make sense of her older sister’s death using the color white. From trying to imagine her mother’s first time producing breast milk to watching the snow fall and meditating on the impermanence of life, she weaves a poignant, heartfelt story of the omnipresence of grief and the ways we perceive the world around us.