ARQUITECTURA Y DISEÑO

By the late 19th century, trademarks began to replace traditional emblems, like coats of arms, as identifying symbols for companies. At first, logos tended to be figurative, but over time they morphed into the abstract marks that we see everywhere today. Yet many iconic brands—like Rolex, BMW, Louis Vuitton, and the New York Yankees—still use logos designed 100 years ago. Bringing together two previous volumes—Logo Beginnings and Logo Modernism—into one compendium, design expert Jens Müller (dubbed “the logo detective” by Wired magazine) has trawled historical trademark archives and design publications to unearth 1000s of logos from as far back as 1870, including many forgotten designs and early versions of today’s brand identifiers.

Published on the occasion of a major exhibition at Nakanoshima Museum of Art in Osaka, Japan, this volume explores the deep and transformative relationship between Louis Vuitton and Japan, which has produced myriad innovative collaborations that have defined the brand and revolutionized contemporary fashion. This fresh perspective on the global impact of the luxury powerhouse follows Louis Vuitton’s journey from pioneering trunk innovations to its outsize influence on global street style, especially in Japan. In the volume, the Maison’s history comes to life, from the evolution of its Monogram logo (which took inspiration, in part, from Japanese design) to the ingenious flat stackable trunk and patented lock innovations, alongside the brand’s bold expansion into Japan. The authors consider the house’s groundbreaking artistic collaborations most notably with artists Takashi Murakami (with his iconic “Monogramouflage”) and Yayoi Kusama (with her signature polka-dot motifs) which transformed Louis Vuitton’s visual identity.

The mid-19th and early 20th centuries heralded new means of transport and equipment and, with them, new and original ways of exploring the world. Transatlantic liners, automobiles, long-haul airplanes, zeppelins, and express trains unfurled new horizons and changed travel itself into an adventure. Distant lands were no longer solely accessible to aristocrats, explorers, and adventurers. Instead, the world opened up to new groups of people eager to circumvent the globe. And for many of these new globetrotters, traveling was synonymous with Louis Vuitton, the French label whose iconic and functional luggage trunks could be found on nearly every boat, plane, car, and train around the world. In this beautiful book, author Francisca Mattéoli recounts 50 tales of thrilling travel undertaken in every possible mode of transit, from the hot air balloon to the space shuttle, each lavishly illustrated with more than 300 historical photographs and ephemera from Louis Vuitton’s official archives. Louis Vuitton: Extraordinary Voyages is a journey all its own—an evocative and transporting account of the most surprising and transformative trips taken since the 19th century.

La primera panorámica completa de las colecciones de moda de vanguardia de Louis Vuitton, desde su debut en 1998 hasta la actualidad, presentada a través de fotografías originales de pasarela. Fundada como casa de artículos de cuero en 1854, Louis Vuitton lanzó su primera colección de moda en 1998. Le siguió una fama mundial sin precedentes, así como colaboraciones pioneras de alto nivel con artistas como Takashi Murakami, Richard Prince y Stephen Sprouse. Este libro recoge las colecciones de gran influencia diseñadas por el director creativo Marc Jacobs (1998-2014) y Nicolas Ghesquière, que dirige la marca en la actualidad.

With an in-depth knowledge of periods and styles, Watson is known for his meticulously researched designs. His rooms always make architectural sense and his work is often inspired by collaborations with architects. Watson strives to uncover and recognize the special qualities found in historic structures and furnishings, and to preserve them while moving them forward into the present. Watson’s interiors are noted for their calm and lightness of being, which he achieves through a gracious sense of proportion and a harmonious continuity via subtle repetitions in color, pattern, material, and silhouette.

Schestowitz is a strong believer that a home should create a sense of belonging and togetherness. Growing up, she developed an appreciation for harmonizing diverse styles, placing a modern stainless steel island by an old dining area, an African dresser next to an Eames chair. Schestowitz is not a follower of design guidelines; she believes in an intuitive harmony of space, color, and light. The spaces she creates are infused with travel collectibles, art acquisitions, family pieces, and historical patterns. The rich palettes and bold patterns create spaces that feel naturally inviting and intimate, a result of her long-standing exploration of Mediterranean style.